Here's a lazy, bluesy treatment of the title song from "Ain't Misbehavin'," the Broadway show that celebrates the immortal music of the great Thomas "Fats" Waller. This is one of the all-time great jazz-show tunes, in a very tasty arrangement! Highly recommended!

Not for the faint of heart, this remarkable a cappella setting of the beloved folk hymn offers a rewarding challenge for better choirs. Brimming with colorful harmonies and surprising shifts in tonality, it is truly stunning!

Our beloved patriotic hymn could not be more beautiful than in this incomparable setting. With a minimum of divisi and some exquisite solo spots, this is singable by virtually any SATB choir. Of the many arrangements of this hymn available, this is in a class by itself. Highly recommended!

Soul and blues singer Etta James made this luscious ballad a hit in 1960, although it was written almost 20 years earlier by the songwriting team of Mack Gordon and Harry Warren. Since then it's been recorded by scores of artists. Jay Althouse's tasteful arrangement really brings out the beauty and romance of the song for today's choirs. This will be easy for your singers to sound great on!

The excitement of this up-tempo samba never lets up! Originally made popular in 1938 by Artie Shaw and his orchestra, it has had many revivals throughout the years. "Even the palms seem to be swaying" as Greg Jasperse's vibrant, rhythmic vocal jazz style envelops Cole Porter's classic. Highly recommended!

"Cool" is the word for this great bossa nova tune by Brazilian artist Joao Gilberto - it completely captures the flavor of the 1960s. Smooth lines, a jazz-infused samba beat and lyrics of "Bim bom, dot dot, bohm bah bah doh" give this setting special appeal for vocal jazz ensembles!

As recorded by "Manhattan Transfer," here's a funky fusion setting of the jazz classic by Josef Zawinul and lyricist Jon Hendricks. For experienced vocal jazz groups, this is very impressive!

Here's a concert-style update of this "Beatles" classic in a contemporary acoustic setting. Intriguing vocal textures and a progressive harmonic treatment make this selection equally effective for concert, jazz or show choirs.

Here's Irving Berlin's great song in an updated, jazz-flavored treatment by Steve Zegree. As performed by Western Michigan University's "Gold Company," it's great for developing pop/jazz vocal style. It really swings!

Irving Berlin's quintessential song is a classic of swing style, and this straightforward, singable arrangement brings Berlin's standard to vocal jazz and show choirs of any level. The swing groove is established in the beginning with choral voices accompanied by finger snaps and bass guitar. Later in the arrangement, written-out scat solos will encourage younger singers to try this vocal jazz technique.