SATB Major Works

Composed in 1965 for the Cathedral of Chichester in Sussex, England, this massive choral statement in three movements was conceived when Leonard Bernstein was at the height of his musical skills. It

Composed around 1760, Die Auferstehung und Himmelfahrt Jesu is one of Telemann's last large-scale vocal works. The libretto, by Karl Wilhelm Ramler, recounts the Biblical events from the

Brahms' signature work was his most ambitious and marked a turning point in the composer's career. It is believed to have been composed in memory of Robert Schumann or possibly the passing of Brahms'

Vivaldi's most recognized choral work is a superb example of the Italian Baroque and is accessible for any capable mixed choir. The Kalmus edition offers the vocal score and a complete set of orchestral

This multi-movement work for chorus, soprano solo and orchestra (piano reduction) is a staple in the choral/orchestral repertoire.

Mozart's Missa in C K. 317, erroneously dubbed the "Coronation Mass," is among the most popular and most often performed works in this genre.

The Messiah is regarded as the epitome of sacred music and in German-speaking countries it is also one of the most often performed works in the genre. The version of the Messiah which is most often

The Missa in D minor, published here, the third of Haydn's six late masses, was written during the summer of 1798 between the two late oratorios. According to the dates given on Haydn's autograph

Composed as a musical memorial for the Italian national poet Allessandro Manzoni, deeply admired by Verdi, and was first performed on the first anniversary of his death on May 22, 1874 in Milan Cathedral.

The Baerenreiter edition of Mozart's masterwork; this has become a staple in the repertoire.

The Sussmayr edition is still the most well known, and it is doubtless the one with the closest historical ties to Mozart.