Church Choir Anthems for Christ the King Sunday

Building from a rhythmic ostinato, this triumphant anthem arrangement soars with energy and grandeur on the DIADEMATA hymn tune. Cleverly interweaving Beethoven's HYMN TO JOY, in addition to the powerful

The hymn My Hope Is Built on Nothing Less is the foundation of this favorite song from Hillsong Music. With two distinct endings, one that features the choir only, and an extended medley option for

This arrangement is joyful yet assured in its message that Christ's truth will prevail. The melody emits a powerful message that stands on the foundation of a driving and compelling orchestration. With

A hymn text by Fred Pratt Green for Eastertide and communion is expertly arranged incorporating unison, two-part, and regal four-part writing. Options for a cappella singing integrating close harmonies,

Like a dance of praise, this festive original leaps from the page and into the heart. Emerging from an insistent pedal tone, the cries of "O worship the King" sound the invitation to gather and sing. A

Tom Fettke and Thomas Grassi combine their considerable talents to offer this glorious match of traditional and contemporary hymnody. Rising key changes build to a thrilling finish in this regal piece that

Stirring and majestic, this concertato offers a stunning yet highly singable setting of this classic hymn. A contrasting "peace to you" section as a hushed vocal underscore is a creative surprise. The

Culled from the immensely popular musical "Our Father"by Pepper Choplin, this standalone anthem reminds us that while the world is full of pain, suffering, and chaos, we find our comfort and strength in the

This call to worship radiates joy and celebrates our Lord and Savior! The hymn tune OLD 100TH is woven in after the second refrain and is a creative addition to the text and melodic structure. The energetic

The traditional Charles Wesley text is combined with the buoyant tune, LYNGHAM, to create a rousing anthem.  A regal first stanza is followed by a legato treatment in the second stanza. The third