A swingin' blues but with a fun twist: 13-bar blues! Suggested solos are written for tenor sax, trumpet, trombone, and some brief drum set fills. The trumpet range is up to a written E top space. Your
You know it, you love it! The opening motive is very catchy on this authentic sounding chart on the rock classic made famous by the group Chicago. Master arranger Mike Story works his magic to create an
Written by the songwriting duo of Nickolas Ashford and Valerie Simpson and made famous by Marvin Gaye and Tammi Terrell, this chart features a nice mix of scoring from full ensemble tuttis to short section
Paul Murtha's take on Meghan Trainor's smash hit features a catchy melody, a strong rhythmic pulse, hand claps, fun instrumental effects, and a hint of doo-wop. Arranged here in an easy setting for younger
One of the iconic early hits by the Beatles, this catchy tune features an immediately recognizable melody and a driving swing/shuffle style. Included in this version for young players is the famous
Featured in the movie "Shrek," this familiar hit by Smash Mouth has become an enduring part of pop culture. This arrangement for young players features the melody passed from section to section, and the
This easy bossa nova ballad makes a perfect change of pace that's easy to work up for your next concert. There are no solos in this arrangement. You will enjoy the evocative melody in the saxophones and the
You guessed it, Alligator Boogaloo is a funky rock chart with a boogaloo groove played around 136 bpm. It's a simple blues with a great melody introduced by alto and trumpet. Written solos
What a great title! This fun original is clearly a great rock arrangement for young jazz bands. Additional features include specific articulation notations, easy brass ranges, a written tenor sax solo (the
Here's a Wes Montgomery bossa/rock tune that grooves along at around 145 bpm with the melody line played by tenor 1 and trumpet 2. With very playable ensemble sections and hits,
This hard-hitting, heavy-duty rock version of Angels We Have Heard on High will be the highlight of your next holiday concert! The fully scored ensemble writing is well within the capabilities of
Journey made this a hit in 1980 and the cast of Glee did it again in 2010. This solid chart is built on a driving eighth-note pulse and requires no solos. Sure to sound great with limited rehearsal time, it
Originally recorded in 1961 by Jorgen Ingmann, but better known for the 1981 recording by The Sugarhill Gang, this funky hit remains a favorite. Feature your drummer or an additional percussionist (bongos,
Made famous by The Count Basie Orchestra, here is a great-sounding yet playable version of this standard for developing bands. It includes feature spots for every section and optional written or improvised
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Around the Bend, with its solid rock feel coupled with blues changes, will make younger players feel comfortable and right at home. With the rhythm section and bari sax setting the groove, it
This Mike Collins-Dowden swing-style original features a hip melody, interesting call-and-response passages between the saxes and brass, nice dynamic contrasts, a written or improv solo for trumpet, and
Here's a great vehicle for teaching your younger jazz ensemble how to swing. Originally a blues tune from 1919, this familiar song has become an often recorded jazz standard. John Berry's updated version
Let the rhythm section lay down an earthy groove in half-time funk. The horns ride along with a bluesy melody that builds to a great stop-time. Modest ranges all around with reduced instrumentation (three
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