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This delightful five-voice madrigal from 1604 is outstanding! Echo effects and lots of interplay among the parts make the most of the musical imagery of "running in and out." This is guaranteed fun to
This sprightly, dance-like madrigal is a great teaching piece! A delightful concert opener, it lends itself well to a processional with voices, hand drum and tambourine. At just under two minutes' duration,
Robert Jones (1577-1617) was an English composer and lutenist who was a prolific writer of songs and madrigals. This delightful example of his madrigal style expresses sadness over the loss of a love. It
The light, dance-like madrigal style of the Tudor composer Thomas Weelkes is offered here in a fine edition for modern choirs. The delightful "fa-la-la" refrain connects the verses for an excellent choral
The seventeenth-century English composer Michael East wrote madrigals, anthems and consorts, including this delightful madrigal now arranged for treble voices. With its intricate and playful voice parts,
Now available for women's voices, this popular French chanson relates the gossipy conversation of a pair of French housewives as they chatter about their husbands. Dance-like phrases echo back and forth,
Joyful cascading vocal lines and "fa la la's" will enliven your treble choir's concert or festival performance! The hand drum creates a dance-like feel in this delightful madrigal edition.
This is very funny! It's a mad, mad, mad, mad madrigal indeed when the "fa-la-la's" get mixed up with the "shoo-bee-doo-bee-doo's" and the "rama-lama-ding-dong's"! Novelty madrigals are rare, and this is
The Nightingale is Thomas Weelkes' famous madrigal in an accessible SAB edition, with optional percussion (hand drum or tambourine) providing additional rhythmic security for developing ensembles
This three-voice madrigal by Thomas Weelkes is full of fun and whimsy, with changes in meter, interweaving vocal lines and a dance-like feel, with optional hand drum. An excellent selection for madrigal
John Bennet (c. 1575-c. 1614) was a Renaissance-era English composer who wrote several madrigals in the style of Thomas Morley. This is perhaps his most famous one, and is a wonderful contest or festival
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