Major Choral Works

The Last Post
(for soprano, SATB choir and orchestra OR piano)  Duration: circa 2 minutes
The Last Post originally appeared as part of the fourth and final movement of The Great War Symphony

The Dead Soldier
(for SATB choir and orchestra OR piano)  Duration: circa 4 minutes
The Dead Soldier originally appeared as part of the third movement of The Great War Symphony written to

This larger work was written in 2016 for Chamber Choir Ireland on the centenary of the Easter Rising in Dublin. It is in three movements: Awakening; Resurrection and Tomorrow.

An interesting work that is basically a cappella - only a bass drum accompaniment. This work also has aleatoric passages and an expanded harmonic language.

This choral suite uses texts written by Vikram Seth divided into six individual movements: Lost; Oak; And; Host; Flash and This.

This five-movement work assembles songs previously published separately, all of which set poems by E.E. Cummings. Originating as a commission by a large group of choirs, these songs are now available in one

Featured on the Carnegie Hall stage in 2010 under the direction of the composer, this powerful work for choir and chamber orchestra is perfectly suited for concert hall and worship alike.  The

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father’s who was his patron. The work was greatly influenced by the Viennese classical

The Magnificat was commissioned in 2017 by the Landesakademie für die musizierende Jugend in Baden-Württemberg for the Choir of the International Choir Festival C.H.O.I.R. In this setting

Handel composed the Te Deum in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname “Chandos Te Deum”. Here it is called Te Deum or Cannons after the

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the

First critical edition. Together with Debussy, Ravel, and Dukas, Lili Boulanger was one of the most important representatives of impressionism. Despite her short life of just 24 years, she developed a

In Missa Sancti Jacobi for two four-voiced choirs, drum and triangle, Damijan Močnik was able to set free his creative imagination. The mass consists of the usual five movements: Kyrie, Gloria,

First critical edition. Together with Debussy, Ravel, and Dukas, Lili Boulanger was one of the most important representatives of impressionism. Despite her short life of just 24 years, she developed a

When it comes to paying tribute to Heinrich Schutz’s compositional achievement, in his art his treatment of the text and language must be mentioned first. The "Geistliche Chor-Music 1648", a

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention ("Eurovision Hymn") and a composer was rediscovered: the first recording of Marc-Antoine

This is a profound setting of a selection of poems by Wilfred Owen. The sense of human connection and imagery of the natural world imbued in Owen's poetry is perfectly conveyed in Chilcott's music, which is

This five-movement multimedia choral drama honors one of the great heroes of the emancipation era. The journey of those who sacrificed becomes a story we can relive and honor. Dr. Kean's goal was to compose

Edited by Wolfgang Horn. For soloists, choir & orchestra. Urtext Edition, published for the first time. Preface in Ger. and Eng. Vocal score, 76 p. Full score, 176 p.

A work for choir, brass quintet, organ, timpani, and cymbals, this setting of the Gloria delivers a tapestry of melodic richness and rhythmic energy. A strong sense of architecture guides the listener

Carl Loewe is known almost exclusively as a composer of ballads, but he  also composed a number of oratorios for the amateur choirs. Das Sühnopfer des neuen Bundes reveals a wealth of

Edited by Michael Talbot. Reduction for voice & piano based on the critical edition. Includes an introduction and critical commentary in It. and Eng. Vocal score, 51 p.