New GIA Publications Sheet Music

While largely staying true to the beloved NEW BRITAIN tune, this fresh arrangement offers new textures and a variety of voicing throughout the hymn, culminating in a triumphant final verse. This octavo is

Handbells and chimes combine to present this light and lovely setting of the hymn tunes NEW BRITAIN (Amazing Grace) and WONDROUS LOVE. The tunes are first played on the chimes with flowing bell

This uplifting spiritual for Christmas or general use is arranged for bell choir with handchimes – plus a bell tree! The upper bells are used for the bell tree, so only one set of bells is

Conceived and created in the midst of the global Covid-19 pandemic which began in early 2020 and continues as this edition goes to press, the resource, Amen. Alleluia! A resource for praying

A flowing introduction played on handchimes gently leads into the first of three well-known Irish tunes, Morning has Broken. A stirring setting of The King of Love My Shepherd Is

A concise insight into the structure of hymn texts by one of America's greatest teachers and composers of church music. Lovelace offers extraordinary insights into what builds a strong hymn text and how

This stately hymn of grace is set in an awe-inspiring arrangement that expresses the joy and assurance of God's love for us. The opening section is accessible for beginner choirs before added syncopation

This 13th-century traditional Basque carol is paired with the Annunciation text found in Luke 1:26-38. The choral texture varies by verse, with sectional contrast and women's divisi highlighting the

Based on the African-American spiritual, this anthem for Easter is perfect for smaller choirs wanting an upbeat a cappella anthem to include in their Easter celebrations. With the exception of a few

This carol comes from Revival III, a resource that provides fresh, accessible arrangements of traditional Christmas carols for piano- and guitar-based ensembles. Although these arrangements can be

Perfect for the two-octave choir, this setting sounds full and lush. With bell changes in only one position, it will work well for a new group and yet it will be satisfying to a more

This festive work for SATB voices and organ is filled with the cheer of the season. Gently syncopated, with many unison opportunities, it presents the traditional text with a fresh, new melody.

This exuberant original musical setting of the Christmas poem by James Montgomery is inspired by the flight of heavenly angels and their joyous proclamation of the Savior's birth. The spirited 7/8 meter

Framed by a setting of the Ave Maria in Latin, this rich setting of a poem by Vincent Stucky Stratton Coles - which incorporates the opening of the Magnificat-is a musical gem that will enhance both the end

This is a popular devotional song among Arabic-speaking Christians. Opening with a verse in Arabic, the anthem transitions to a call-and-response verse with the men singing in English and the women

Need to adapt an SATB work for your small SAB choir? Have sopranos who can’t sing divisi, but know a great trumpet player who is happy to help out? Need to simplify a viola part for a beginner? In

This collection of music is for use in praying compline. Each prayer lasts about 15–20 minutes and includes an introduction, an examination of conscience, a hymn, psalmody, a scripture reading, a

Calling us to remember to seek peace with one another as we approach the altar, this octavo is sure to become a beloved part of your repertoire. The memorable melody is set very accessibly for SAB choir,

The opening lines of each section have a certain easy, lyrical air to them, but the ends are more forceful in conviction and questioning: "My soul thirsts for God... When can I go and meet with God?"

For choir and assembly, with organ and optional violin accompaniment.

Containing the very rich texts of Isaac Watts and Ralph Hudson, this anthem of original music begins somberly as it moves through the passion story. Tone painting is found throughout, emphasizing the text,

This Latin hymn setting introduces contrapuntal singing of chant. It is scored for SATB choir, but can be adapted for two-part voices (mixed, treble, or bass choirs) as well as for SAB choirs by moving