Oxford University Press Sheet Music

This beloved text finds a fresh new presentation in this modern a cappella carol setting. Using effective textural changes and syncopation, it has the feel of a contemporary worship song with the structure

A traditional German carol, this simple and atmospheric arrangement can be sung in the original German language or with a singable English version. Useful for Advent or Christmas, it is a stunningly elegant

Breathing new life into a Christmas classic, this arrangement features playful rhythmic alterations between 3/4 and 6/8 meter. The syncopated vocal lines are underpinned by a supportive, bouncy piano

Depicting a journey to the Bethlehem stable where Jesus was born, this lilting original carol features both the lower and upper voices separately before joining together in glorious harmony. The third verse

Viewing the stages of womanhood through the Kalevala,a Finnish epic compiled by Elias Lonnrot in the 19th century, this five-movement work is a powerful statement for treble choirs. The texts are

Exploring the sounds of the Hindustani classical tradition, this original work sets a dohe (couplet) about patience by the Indian mystic poet Kabir. This lyrical piece flows with a soothing quality and

Set in a contemporary a cappella style, Heather Lane's text sparkles with scat-syllable vocables and an interesting vocal line that passes through the upper and lower voices as the parts imitate and respond

Emily Dickinson's familiar poem abounds with symbolism as the hope of a bird is brought to life. The musical setting utilizes a fluttering accompaniment, interesting harmonies, and a flowing melodic line

This thoughtful a cappella setting of the traditional text flows between swells of emotion and warm chromatic inflections in the Latin refrains. A soprano solo is present through much of the setting, and

Effectively combining an ancient Latin text and three traditional Christmas spirituals (Rise Up, Shepherd, and Follow; Mary Had a Baby; What You Gonna Call Your Pretty Little Baby?), this a

Christina Rossetti's poem is blended with a relaxed contemporary a cappella jazzy musical style in this unique concert work. Growing from three- to six-part harmony, the swing rhythms and style made famous

Christina Rossetti's poem is perfectly reflected with vivid imagery, beautiful vocal lines, and swirling countermelodies. The choruses set the words "My love is come to me" in a powerful antiphonal texture.

Representing a rich diversity of styles, this impressive collection of 12 original choral works and adaptations from the classical canon all feature SATB mixed voices and solo cello. Each selection can

This fresh take on a familiar 15th-century Christmas text artfully utilizes dotted rhythms in 6/8 meter to create a lilting feel, and the memorable melody for the carol text passes through each of the voice

This three-movement work explores the concepts of reflecting on the past, living in the present, and not worrying about the future. The words were written with children in mind and are inspired by a

This lovely setting of the O'Shaughnessy text builds slowly through its whimsical melodic development. Accompanied by a beautiful piano part, the movement in the choral lines leads to a triumphant and

This adaptation of Emily Dickinson's poem is set as a poignant ballad with heartfelt melodies and a pop-style piano accompaniment. The song reflects on the pain of being separated from loved ones during the

Setting inspiring words by James Weldon Johnson, this work is poignant and stirring, encouraging singers and listeners to reflect on the challenges of present times and to move forward with courage and

This setting of fragments of text by Sappho, translated by Arthur Sanders Way and A.S. Kline, uses cross-rhythms, syncopation, and flowing melodic lines to create a sense of restless longing.

This atmospheric setting of words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked to perform with "a bit of frost and a knowing smile." Musically it includes

A tranquil setting of passages from a 13th-century sacred Latin text and its English translation. The voices are underpinned by a supportive accompaniment that is suitable for organ or piano. 

This attractive and concise setting of the Mass (without Creed) has flexible scoring, being for 2-part choir (upper and lower voices), or SATB, and organ. The communion motet Tantum ergo is also