This arrangement of the tune MARTYRDOM for organ and choir weaves the hymn, Amazing Grace in and out of the last two verses.
Known as one of the greatest violin concertos of all time, the second movement from Felix Mendelssohn's orchestral work is abridged and transcribed here for organ. The use of a solo stop for the
This carol (in Latin) is based on a 14th century Irish melody that is quite tuneful. A translation is included and this work makes a great addition to any carol service.
For Eucharist, this a cappella anthem flows easily from soprano solo to SATB back to solo supported by choir.
From the fanfare opening to the solo trumpet melody, this march is a welcome addition to the repertoire. Composed for a Remebrance Sunday in November 2017, this piece speaks to the memory of all those who
The familiar text, "At the cry of the first bird, they began to crucify Thee, O Swan," is set for acapella voices in this haunting arrangement. Staggered entrances lead to homophonic sections. Melismatic
Hymn alternating the tunes REST and REPTON, this four versed hymn makes an easy anthem accompanied by organ.
Despite the Latin title, the text is in English taken from Psalm 67, 'God be merciful unto us and bless us.' A series of metric shifts add challenge and interest.
Winner of the 5th 'Rino Benedet' International Composition Competition
Robert Powell's genius and creativity shine through as he brings a sense of joy to this well-known tune. The continuous motion of this joyful setting will surely be a welcome addition to your service.
Any new hymn tune from Bruce Neswick is always welcome and here is a fine arrangement by Chris Biemesderfer. Each verse is a different voicing with a soaring soprano "descant" for verse 3. All 4 voices
A jubilant setting of Psalm 100 for choir and organ. Choral writing ranges from unison passages to soprano divisi with the ending calling for full divisi on a penultimate chord.
A versatile hymn-anthem, this piece is developed from the famous John Ireland tune. All seven verses are used with varying voicings, with organ and a cappella. The final verse brings a descant into play,
This anthem incorporates two traditional Celtic prayers invoking God's guidance. Images of the flame before us, the star above us, the path before us, and the Shepherd behind us provide assurance. The piano
This work contains 24 pieces in the 24 keys of various difficulty levels, many on the easier side. None of the movements require pedals and the registrations are mostly left to the performer and their
This Advent carol is both simple and imaginative. Each verse has different voicings with a richly textured final verse, which includes a part for congregation or unison choir. Highly desirable for carol
Stephen Tappe, a devoted church musician for many years, has written a lovely anthem on a thoughtful text. Much imitative polyphony and sensitive modulations characterize the work.
For general use, the text expresses the desire to be the eyes, hands and feet of Jesus to serve the world. Organ accompaniment, metric shifts from 6/8 to 9/8 fit the text well.
A new set of Evening responses from David Hurd is always an occasion to rejoice! These are chant-like with two versions of the Lord's Prayer. These prayers are more contemporary in harmony, but no less
Verses from Psalm 33 form the basis of this energetic anthem. Hal Hopson has been known for many years as an accomplished composer of sacred music, and here there is both joy and lyricism. This is not at
Smaller choirs "Rejoice!" as this is a well-written two-part anthem suitable for Easter or general use. For mixed or treble voices, choirs will both enjoy singing and be successful in presenting this anthem