Sacred Christmas Choral Music

A la Nanita Nana and Coventry Carol sing one after another in this gentle choral setting. The piano rocks sweetly below the lilting text, creating a unique pairing of the familiar carols.

A great way to add sparkle to your Christmas or holiday program, this festive number for treble voices is joyful and powerful. With a bell-like accompaniment, antiphonal singing, and text adapted from

This beloved 15th-century French carol is beautifully arranged for an emerging tenor-bass choir to accommodate changed and unchanged voices. With unexpected harmonic modulations in the middle section, it

Written for the developing or advanced treble ensemble, this original setting of the beloved Rosetti text is just lovely. An undulating piano part, chilling harmonies, and a nod to Holst's melody paint the

Hark the Herald Angels Sing; O Come All Ye Faithful and Angels We Have Heard on High are reworked into a mash-up arranged perfectly for middle school voices. A quick learn that

A beautiful way to prepare for the season, this medieval carol is arranged with lyrical lines that bring both freshness and familiarity. The piano accompaniment provides exciting movement with driving

Two short contrasting movements may either stand on their own or combine into one longer setting. The Gloria setting is upbeat, rhythmic, and fanfare-like, while the Alleluia is quiet, introspective and set

An original work, this homophonic setting offers a new perspective on the beloved carol's text. Options for violin obbligato and solo, quartet, or small ensemble singing are included.

Christina Rossetti's text shines in this arrangement of the beloved carol with Gustav Holst's melody. The warm orchestration or flowing piano accompaniment are both nice options to enhance this piece for

Filled with energy and drive, this mashup of Sing We Now of Christmas and Pat-a-Pan brings new life to these familiar holiday carols. A generous measure of unison singing along with

G.K. Chesterton's elegant Christmas poem from the late 19th century provides an orderliness and symmetry that is set with a cappella divisi modern harmonies. The combination is poignant and stirring, making

Lovely harmonies surround this traditional Christmas lullaby in this gentle and lyrical arrangement from former King's Singer Philip Lawson. Alternating between accompanied and a cappella textures and with

Bright syncopations, mixed meter, and vivid choral writing energize this festive choral work. Brief quotes of carol melodies make this setting ideal for Christmas or concert performances. Add the optional

Flexibly set for either two parts or three, this original setting can be used as an opener or processional for Christmas concerts or services. The Latin text used in this selection comes from a sacred

Experience the timeless beauty of the Savior's birth in a new light with this enchanting arrangement. While maintaining the beloved simplicity of the original melody, the harmonies add depth and intrigue to

"O light born of light." This traditional Latin text shimmers in a stunning a cappella setting with thoughtful voice leading and cluster harmonies. Accessible enough for concert or service use, it will make

This delicate, soothing a cappella setting of the Christmas favorite is sung in German with English text also available. The first and third verses have the melody in the soprano, while the second verse has

Written for full brass ensemble, organ, soprano solo, and chorus, this 17-minute single-movement setting of the Gloria explores a wide range of musical writing. The result is an extended work that

Sweeping, emotive choral lines envelop Eugene Field's well-known poem Christmas Eve in this beautiful lullaby setting from a Hollywood film score composer. Lush harmonies allow choirs to express

Here is a fresh take on the beloved French carol! In the exact arrangement made famous by Brigham Young University's a cappella group BYU Noteworthy, this contemporary setting is in 6/8 for a gently lilting

The traditional Austrian carol sparkles within a modern construct. Shimmering, close harmonies and an optional soprano solo add to the dreamlike quality of this comforting Christmas lullaby.

Taking after Benjamin Britten, this collection of seven Christmas carols are settings of English texts from the 15th and 16th centuries for choir with piano or harp accompaniment. Composed following

Based on the ancient Latin Nativity chant, this a cappella work opens up into beautiful modern harmonies in a mixed-meter setting that flows seamlessly. This is a rewarding work for more advanced choirs for

This ancient carol of lament is beautifully arranged with unison lines and subtle harmonies that perfectly complement the spirit of the piece. Arranged for the VOCES8 Scholars and APOLLO5, it remains