Twenty-one of the best known, best loved Christmas carols skillfully arranged in flexible, very practical arrangements for woodwind trio, saxophone trio and brass trio. Carols included: Angels We Have
Piae Cantiones, published in 1582, is a collection of late medieval sacred and secular songs begging to be given performance, either as written, or perhaps in new settings. Three sacred tunes in
A spirited rendition of three familiar holiday carols with a bell theme scored for assorted chamber ensembles. A great seasonal choice for any worship service or performance venue. Titles include: I
A medley of Joy to the World; Hark the Herald Angels Sing; It Came Upon a Midnight Clear; I Heard the Bells on Christmas Day; We Three Kings and Angels We Have Heard on High.
This delightful holiday collection includes: What Child is This?; The First Noel; O Little Town of Bethlehem; Joy to the World; Silent Night; The 12 Days of Christmas; Away in a Manger; and
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An accompanied sax trio (A-A-A/T) opening with an exciting motive. The first rendition is in block harmonies with occasional rhythmic punctuations. The next section has subtle contrapuntal statements
An accompanied trio opening with an exciting motive. The first rendition is in block harmonies with occasional rhythmic punctuations. The next section has subtle contrapuntal statements among all parts,
Compatible Trios for Christmas contains 27 arrangements of popular Christmas carols that can be played with any combination of three instruments. A piano score is available that contains
Away in a Manger is found in several unique musical settings. Among them, three are utilized in this medley: Cradle Song, Old Normandy Carol, and Mueller. Old
Taken from Piae Cantiones (1582), Divinum Mysterium is the name of the medieval chant melody which accompanies the hymn Of the Father's Love Begotten. Piae Cantiones is a
Originally written for organ, this fugue by Reinhold Gliere was composed when he served on the faculty of the Kiev Conservatory. Deftly arranged for a trio of flute, oboe, and bassoon, it retains the
Originally written for organ, this fugue by Reinhold Gliere was composed when he served on the faculty of the Kiev Conservatory. Arranged for a trio of two B-flat clarinets and bass clarinet, it retains the
An accompanied saxophone trio for altos and optional tenor. The piece begins in a lively fashion starting quietly and adding more parts as it crescendos up to the opening of the tune in full ensemble
When I was a choir director and organist, I found there was a need for moderately easy arrangements for violin, clarinet, and cello, or any combination of instruments that fit the ranges of the violin,