The artistry and sophisticated techniques of the composer are showcased here in this aspiring work. Ascending vocal lines imitate praises being lifted while rhythm abounds. A challenging work that is worth
This powerful, flowing a cappella work in Latin opens with a beautiful unison chant and closes with a quiet "Amen." It is infused with interesting and varied harmonies, changing meter, and dramatic
A jubilant concert opener, this bold choral setting is written in a rocking 12/8 meter and contains moments of fanfare chords, quartal harmonies, and a gently flowing middle section which builds to a
A minimum quantity of 20 is required on this title.
This well-known motet by Heinrich Schutz is more accessible than ever in this arrangement for a cappella SSATBB choirs. This edition contains conservative ranges with added dynamics and articulations to
This special SSAA a cappella setting of Ave Maria has great melodic interest in all parts, charming all who have the opportunity to perform or hear it in concert.
The ebb and flow of the choral parts create a wonderfully fluid sound, and the lovely, flowing vocal lines intertwine and overlap as they build toward the climax and then to a peaceful ending. Simply
A minimum quantity of 10 is required on this title.
This selection includes a modern reimagining of chant elements combined with a multi-metric feel and joyful melody. Great for a concert or church service with advanced singers.
A minimum quantity of 5 is required on this title.
A lyrical setting of the Alleluia with an underlying ostinato chant that is both solemn and passionate. This is a stirring piece and makes a powerful opening number either a cappella or with organ
This arrangement pairs Henry van Dyke's text with Beethoven's music from Symphony No. 9 to create a remarkable celebration of joy and praise. Arranged for a cappella voices, this accessible and exciting
A VOCES8 a cappella setting of Gabriel Faure's famous Pie Jesu, taken from his Requiem. In this arrangement, the famous melody is framed at the start and end by atmospheric plainsong.
Written primarily for the an anthology of Scandinavian music, this piece evolves calmly but with a strong momentum in a large dramatic arc across its three-part structure. With clear part-writing and
A new refreshing setting of such a well-loved hymn, this Amazing Grace was originally written for The King's Singers and a women's choir. It is mesmerizing and also challenging. The setting lends
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With a free chant opening flowing into modern harmonies, this beautiful work will become a favorite of your singers and audiences. A beautiful and timeless melody shines here in this work for more advanced
Originally conceived to be short responses to movements of an eclectic Mass, these four works that make up Responsorials can be performed together or separately. The texts are extracted and adapted
This energetic and spirited piece alternates between call-and-response sections and homophonic ones, exhibiting an ABA form overall. It is a great opener to any concert. Composed for the Columbus
The initial use of the Scottish snap rhythm becomes a recurring motif throughout the piece. Strong, almost fanfare-like declamations of the Isaiah 40 text alternate with imitative sections and soaring text
This work is an attempt to portray the beauty of the heavenly place where God dwells. It is so lovely that the "soul yearns, even faints" to be in presence of the Lord. The opening statement returns near
This work, a pull-out from "Music of the Spheres," features a tenor soli with SSAATTBB choir and piano accompaniment.
Useful in a wide variety of circumstances including as a Palm Sunday introit or procession. It is also a great teaching piece for a school group or choir festival. Finally available for double TTBB chorus,
Here is a rousing setting for a cappella chorus on the tune Invitation from the shape note collection Southern Harmony of 1835. With an alternate text for the Christmas
With the option to perform a cappella or with basso continuo and cello, Monteverdi's masterwork breathes new life in this edited version for divisi mixed choirs. An exciting texture that bridges the
This work is an energetic reimagining of timeless text and tune from the 12th-century poet, composer, and philosopher Hildegard of Bingen. The marriage of the Caritas Abunda chant with a text taken