Sacred Choral Concert Music

This heartwarming benediction with its soaring melody and delicate phrasing will be a memorable moment in worship or concert. Available in several voicings or as a vocal solo, this harmonically rich piece

With over one million copies sold, this is a true classic, available SSA and many other voicings.  

Here is a rousing setting for a cappella chorus on the tune Invitation from the shape note collection Southern Harmony of 1835. With an alternate text for the Christmas

This original concert work with a traditional Latin text contains elements of chant with dramatic organ writing and an optional French horn part. A variety of textures and tempos are explored, including a

Based on a fragment of the text of the sequence Victimae paschali laudes, this work utilizes various minimalist techniques - canons at the unison and simultaneous theme with its augmentation - to

Written in the style of an a cappella spiritual, Rose Aspinall's text shines in a rhythmic setting that your choir will love to sing. Feature two of your soloists along with your whole choir in full harmony

Vibrant rhythms, accessible vocal ranges, and fun-to-sing syncopated melodies highlight this concert or festival selection for developing tenor-bass choirs. A 6/8 lilting meter and Latin text (pronunciation

Rhythmic and accessible, this piece has all the ingredients to appeal to your young mixed choir. The piano accompaniment is playable by a student, and the harmonies and ranges are perfect for beginning part

This chorus from Haydn's "Heiligmesse" is an ideal introduction to Classical style for treble choirs. Explore musical phrasing, quality tone production, and pure vowels with this simple Latin text and

Text from Zephaniah 3:17 and accompanied by piano and oboe. This piece was commissioned and performed by the North Texas Metroplex Children's Choir.

Created for the choir of the American Church in Paris. The ancient Latin text is sung as a refrain by the choir: "Ave Maria, dulcissima Maria, vera spes et vita!" The soprano soloist intersperses an

A new musical setting of an exquisite text by Thomas Campion. While not overtly religious, the text inspires us in its spirituality, hope, and faith to believe in a power greater than ourselves. The musical

This tender, lyrical setting of the classic William Blake poem from Songs of Innocence boasts rich vocal writing, tonal color, and an expressive piano accompaniment. A wonderful vehicle for

This eloquently stated setting of the beloved text, May the Road Rise Up to Meet You, sits comfortably in each vocal part with no awkward skips or leaps. Some well-managed independence of voices

Introduce your choir to Vivaldi's masterwork with this sensibly adapted edition for developing choirs. Conservative ranges and the accessible Latin text give an educationally sound experience with high

This song, in a hymn-like setting, is intended to encourage thought and discussion about our individual social responsibility. It has been said that the best investment we can make is the one we make in

This treatment of the Kyrie eleison text is ideal for older choirs. The accompaniment provides a very tranquil and fluid bed for your singers who can use and imitate that accompanimental style to help them

Just two short Latin phrases frame this excellent concert or festival selection for developing choirs. Independent melodies for each part are presented and then layered to create simple polyphonic

A poignant setting of Psalm 137: "By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion. We hanged our harps upon the willows in the midst thereof." Skillfully voiced with

"O clap your hands, all ye people. Lift up your voice, sing alleluia!" The opening fanfare-like section is complemented by a contrasting legato middle section before returning to the joyous opening

This Latin motet text taken from portions of Psalm 42 is known greatly through the unaccompanied setting by Palestrina.  Here Peter Anglea sets the descriptive text for mixed voices and piano. 

The final movement from a set of four contrasting memorial dances for unaccompanied mixed chorus. The text, from Psalm 30, is set to a sprightly gigue. Written for double SATB choir, the textures are light