Based on a fragment of the text of the sequence Victimae paschali laudes, this work utilizes various minimalist techniques - canons at the unison and simultaneous theme with its augmentation - to
The fourth movement of Dan Forrest's new LUX:The Dawn from on High is now available as a stand-alone octavo. Its jazz-influenced harmonies, infectious rhythmic energy, soaring vocal lines, and
Adapted from a choral movement from the oratorio "Judas Maccabaeus," this is a wonderfully joyful anthem for treble or mixed choirs and an excellent introduction to Baroque style!
A minimum quantity of 10 is required on this title.
For treble voices and piano, this setting of the first verse of the original Ubi Caritas plainsong in Latin and English begins in unison and expands to independent vocal lines that both complement
A rhythmic drive in the divisi inner voices contrasts with the flowing lines in soprano and bass, leading to a largely homophonic grand maestoso section that builds to grand ending.
Availability Information
This item is temporarily unavailable from the supplier though we still may have stock. Add to cart to check availability.
Set for SSAATB voices with campanelli/glockenspiel accompaniment.
A lush, warm, and flowing setting of this sacred text in the way only Esenvalds can do it. Absolutely stunning.
Scored for three solo sopranos with SSAA choir. A great way to showcase three soloists.
Harriet Beecher Stowe poetry comes to life in this beautiful new setting of the classic Mendelssohn hymn. Richly scored for SATB a cappella choir, it exudes confidence, comfort, and assurance as it builds
Written to be premiered at the 2019 ACDA National Conference, this piece draws on a traditional Latin text but explores a contemporary harmonic language in an exciting way. Full of drive and
An exciting choice that works equally well as an opening or closing number! Featuring a Latin text and driving rhythms, this original concert work is crafted with excellent voice leading and vocal interest
A minimum quantity of 5 is required on this title.
This spirited and upbeat piece for developing choirs is fantastic for teaching syncopation and mixed meter. Excellent voice-leading creates compelling harmonic progressions, and a lyrical section provides
For advanced choirs, this two-movement work begins with a setting of the Ave Maria in Latin with refreshing modern harmonies. The second setting is in English and is more dissonant, with a haunting
Written in the style of an a cappella spiritual, Rose Aspinall's text shines in a rhythmic setting that your choir will love to sing. Feature two of your soloists along with your whole choir in full harmony
Vibrant rhythms, accessible vocal ranges, and fun-to-sing syncopated melodies highlight this concert or festival selection for developing tenor-bass choirs. A 6/8 lilting meter and Latin text (pronunciation
Rhythmic and accessible, this piece has all the ingredients to appeal to your young mixed choir. The piano accompaniment is playable by a student, and the harmonies and ranges are perfect for beginning part
This chorus from Haydn's "Heiligmesse" is an ideal introduction to Classical style for treble choirs. Explore musical phrasing, quality tone production, and pure vowels with this simple Latin text and
Originally sung by a bass soloist in Handel's oratorio "Judas Maccabaeus," Arm, Arm Ye Brave is classic solo repertoire that has been skillfully adapted for tenor-bass choir. The arrangement
Text from Zephaniah 3:17 and accompanied by piano and oboe. This piece was commissioned and performed by the North Texas Metroplex Children's Choir.
A lyrical setting of 1 Corinthians 13 about love, it begins in the minor mode and transitions to major. While the text is biblical, this setting is not sacred in nature.
A new musical setting of an exquisite text by Thomas Campion. While not overtly religious, the text inspires us in its spirituality, hope, and faith to believe in a power greater than ourselves. The musical
This fifth and final movement of the larger work Vidimus Stellam is based on the Epiphany text, "We have seen his star in the East." The organ begins quietly as if in awe, with the same material