Collegiate Repertoire

Written in a style reminiscent of Edvard Grieg's March of the Dwarves, this masterful work utilizes playful themes, creative harmonies, chromatic scales, and very colorful orchestrations

An excellent modern retelling of a Renaissance classic. Lots of exquisite colors and plenty of technique to go around. This multi-movement work presents a brass tacet woodwind feature in mvt. 2 and a

These dances display Tchaikovsky's remarkable grasp of symphonic writing and are among the very best of his dance sequences.  Carefully transcribed for band, they are taken from the opera "The

This delightful and bubbling work is an exuberant dance that exudes expressive feelings of unbridled joy. Even the broad and sustained song melody is supported by playfully crisp rhythmic figures reflective

Your audience will barely be able to stay in their seats as the energy of the groove overwhelms them. This infectious work evokes the qualities of many folk dances and combines them in exciting new ways. A

Originally written for orchestra, Danzon No. 2 has enjoyed significant popularity on performance programs everywhere. The danzon itself was Cuban-born, from a natural synthesis of Spanish, British,

This somewhat dark and edgy concert march is written in minor mode with the militaristic first half of the march in stark contrast to the lyrical trio. An expertly-written easy concert march that

This epic fanfare will make your ensemble shine like a radiant beam of dawn's light. Soaring melodies in the brass with technical passages in the woodwinds make this piece appropriate for any concert or

Three well-known secular carol tunes are showcased in this big and brassy, bright and flashy seasonal extravaganza, especially suited as a concert opener. Beginning with a cascade of chimes, soaring

Eric Whitacre's symphonic work Deep Field, arranged here for wind ensemble and choir, was inspired the world's most famous space observatory, the Hubble Space Telescope, and by one of its greatest

Another in the fine series of marches from Karl King, this gem received its title "from some ritualistic work of a certain fraternity." Composed in 1913, the march is dedicated to Clive Dayton of Brighton,

Departure: an act of leaving, especially to start a journey. This work is a continuation of an earlier work, Wanderlust, for horn, tuba, and piano. Departure starts with an exciting,

Written by John Philip Sousa in appreciation of an honor given to him by the Board of Directors of the 1893 St. Louis Exposition, The Directorate was one of the first pieces that he composed for