Contains 21 original or arranged quartets that can be flexibly used with any combination of wind and percussion instruments, making this an invaluable resource in the modern band room! These quartets
These newly arranged quartets written at Grades 1.5 to 3 are designed to be used with any combination of four instruments - the possible combinations are endless! Play these quartets as traditional
Looking for music that will allow your low brass players a chance to steal the show? These arrangements of patriotic marches and melodies are purely American and are perfect for school or civic gatherings.
The rousing and well-known Anvil Chorus or Gyspy Chorus from Verdi's "Il Trovatore" depicts Spanish gypsies striking their anvils at dawn and singing the praises of hard work, good wine,
Gabrieli's music has been a staple of brass repertoire for years. The low brass quartet gives this music a warm, robust character that other combinations lack.
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A spirited rendition of three familiar holiday carols with a bell theme scored for assorted chamber ensembles. A great seasonal choice for any worship service or performance venue. Titles include: I
This flexible collection is a terrific resource for student groups, church musicians, family musicians and more. These Grade 3 arrangements are fully interchangeable and contain well-known classical
This collection of 16 well-known works from the classical repertoire for trombone quartet are presented here for grade 3-5 groups. This collection was specifically arranged to allow for flexible low brass
This easy and peppy low brass quartet is a quick shot of energy for any program. It is scored for two trombones, euphonium, and tuba.
The Habanera from Bizet's "Carmen" is one of the most famous and popular opera arias in the repertoire. The majority of the technical requirements have been reduced to make this arrangement
Everyone knows the Ode To Joy melody, but no one will expect to hear it over Johann Pachelbel's famous deceptive chaconne! A warm, unique adaptation of the immortal classic, this famous theme from
This is a straightforward yet beautiful arrangement of the famous tune. It will require sensitive musicianship and good technique, but is such a fine piece, it practically plays itself.
The dark, brooding tone of this piece is an ideal setting for the low brass quartet. Because of the wholesome, conical tone of the euphonium and tuba, the lyrical middle section is able to retain its light,
These five romantic-era quartets have been carefully selected with any ensemble in mind. Each selection being made from a forgotten or neglected work of the past, these high quality arrangements are sure to