This four-voice canon on the tune Lo, How a Rose is a great concert opener or appropriate for putting together a quick piece for church services. An optional horn in F part is included in
This chorale prelude is in the form of a fantasia as it uses phrases from this hymn interspersed with a lot of free material. It can serve as either a prelude or postlude. The trombone uses a syncopated
Michael Burkhardt brings his energetic style to these accompaniments for congregational hymns on the tunes CWM RHONDDA; KIRKEN; O FILII ET FILIAE; O QUANTA QUALIA and THE SOLID ROCK. While not difficult for
This is an abridged transcription of the Gloria from John Taverner's 1530 mass, "Western Wynde (Wind)," for flexible brass quartet. Parts are provided for two trumpets (the second is a duplicate of the F
Add the jubilance that only brass can bring to your Christmas music-making. These masterful settings for brass quartet/quintet (optional tuba part) are a wonderful way to enhance the joy of the season for
This 14th-century masterpiece is one of the earliest polyphonic settings of the Latin Mass. Transcribed for brass quartet and optional organ, this piece will be a welcome edition for those looking to add
A wonderful collection of arrangements for brass quartet including works by Handel, Purcell, Martin Luther, and many more! This series is designed to be used by a brass quartet and is perfect for weddings,
An accompanied brass quartet for two trumpets with opt. horn and BHTC with piano. The opening is a fanfare with resolve. The first rendition of the tune is passed between parts in a somewhat hocket fashion
A setting for brass quartet and organ of this classic festive composition.
This intermediate-level collection of sacred songs includes: At Calvary; Come Thou Fount; And Can It Be; Guide Me, O Thou Great Jehovah and more!
Hector Berlioz's 1854 Christmas oratorio, "L'Enfance du Christ" ("The Infancy of Christ"), features the wonderful Shepherd's Farewell, a softly rocking lullaby to the Christ child, here transcribed
A brass quintet with opt. horn and BHTC parts. After a rousing introduction the piece goes into a straight forward rendition of "Stand Up For Jesus" with the melody in trumpet one with various rhythmic
Creativity and practicality combine in this delightful set of three tunes: CHRIST LAG IN TODESBANDEN; O FILII ET FILIAE and VICTORY (PALESTRINA). The organ parts are of medium difficulty, the brass parts
Originally scored for double vocal chorus, this responsory from the Office of Matins for the Feast of the Assumption by Victoria has been freshly transcribed for two identical brass quartets of two trumpets