Eighteen newly composed or arranged solos with piano accompaniment written at Grades 2 to 2.5. These exciting solos will add something new, fresh, and different to your solo repertoire. Perfect for use at a
This fresh new performance collection for soloists, written at a 1.5 - 3.5 grade level, has many varying works suitable for any type of performance including recitals and adjudicated festival events. Each
Designed for maximum flexibility, Hymns of Praise can be used for a solo instrument with piano or CD accompaniment or for any ensemble in any combination of instruments from duets to full
Here are ten delightful and accessible instrumental arrangements of seasonal carols. With the exception of the percussion book, each book includes a solo part and an ensemble part for each carol. Basic
Here is a collection of carefully graded solos from very easy up to early intermediate levels with a professionally recorded demonstration/accompaniment CD. Features original compositions by many of today's
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For solos and ensembles, this collection brings together great hymns of faith. Whether it's a soloist using a book (accompanied by piano or fully orchestrated accompaniment track), a small ensemble, or a
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Ten hymns of praise suitable for use at various times throughout the year. Each flexible arrangement can be played by any number or combination of instruments, ranging from solo instrument (with piano or CD
Fifteen Christmas carol favorites in over 25 different styles! Every song comes with three downloadable tracks to play along with and perform in various styles. Each solo has written improvisation examples
When church music needs to be flexible to meet any performance situation, Sounds of Praise is there to meet those needs with fresh new arrangements. These arrangements are wonderful options for
Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same. A
Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending
This sacred set of solos is presented in a reverent setting for Lent and Holy Week services. The soloist is provided the opportunity for musical expression with a fluid cadenza before the
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