Advent Music for Choir

Opening with an optional duet, this piece presents a song of pure longing for Emmanuel's arrival. It builds slowly and steadily, then tapers to a hushed conclusion. Pairing the gorgeous KINGSFOLD tune with

This festive setting of REGENT SQUARE is filled with joy, an exciting piece for Christmas Eve worship or a Christmas program. The extended introduction allows for a Christmas processional, and the whole

This two-in-one octavo provides service music for the Advent and Christmas seasons. The "Festive Introit" (Angels, We Have Heard on High) has a mixed-meter feel. The "Benediction" incorporates text

An original Advent text is paired with the hymn tune HYFRYDOL, while strains of The First Noel can be heard in the introduction. The piece eventually gives way to The First Noel

The intermingling of the COVENTRY CAROL and GREENSLEEVES tunes creates the perfect match for the O Come, O Come, Emmanuel text. After a meditative introduction, the theme unfolds with unison voices

Dazzling and bright, this anthem radiates Advent hope and joy. The vocal texture is nicely varied, from homophonic to antiphonal to points of polyphony, and the accompaniment enhances the infectious

Charles Wesley's beloved Advent text Come, Thou Long-Expected Jesus is creatively paired with Mozart's Alleluia from "Exsultate, Jubilate." Approachable vocal writing captures the

This exhilarating festival setting of HYFRYDOL will quickly become a favorite opening for your Advent or Christmas worship! Rhythmic accents, brilliant scoring, motivic development, optional congregational

This Advent anthem starts and ends with an effective chant that sets the musical mood. The verses incorporate a mixed modal sound. The chorus settles into a harmonically peaceful statement with the words;

This Advent anthem is a warm, encouraging message that echoes the angel's words to Mary, Joseph, and the shepherds: "Do not fear!" In a smooth 3/4 with accessible choral parts, your choir will sing this

The echoes of ancient worshippers are heard in this setting of the time-honored Advent tune and text, conveying the mystery and majesty of our faith. A fully engaged choir will enjoy the drama in the

Moving freely like a chant, this ancient text is profound in scope and authenticity as it follows the journey from humanity's sin to God's salvation. Luminous images of God's holiness mingle with the

Creatively pairing the traditional words from the Latin hymn O Come, O Come Emmanuel with the tune O WALY WALY, this beautiful piece moves with rich simplicity. Optional solo cello, piano

Traditionally set in 6/8, this beloved Advent song is transformed into an energetic 4/4 arrangement. Easy part-writing coupled with fun syncopations and limited ranges make this piece useful for choirs of

A unique combination of an old Irish Reel combined with the tune "Star of the County Down." The setting begins with an Irish folk-like violin solo, followed by accessible choral writing.

Inventively combining the tunes Ding! Dong! Merrily on High and Good King Wenceslas, this anthem captures Mary's joy. The setting combines the Magnificat text with the first tune and an

This paraphrase of the Song of Mary calls for Christians to proclaim the greatness of the Lord, the greatness of his name, the greatness of his might, and the greatness of his word. For soprano and baritone

A majestic hymn anthem for Palm Sunday, Advent, or general use that is easy to learn and perform. The stirring accompaniment skillfully supports the choir and optional congregation. The middle stanza begins

This setting of the traditional advent piece captures the lilting feel of a joyful renaissance motet. The flute and tambourine are delightful additions to the arrangement. 

A new melody for a classic text, this piece is a lovely addition to your Advent repertoire. The anthem can be learned in just a few rehearsals and will be enriched by the addition of oboe or C

This rustic approach to the early American tunes WARRENTON and NETTLETON will raise the joy level in your sanctuary! A bluegrass opening moves to a contrasting traditional middle section, then returns to