This is a slow and expressive a cappella German chorale with sustained vocal lines and harmonies. Suitable for Lent or Communion, it's a standard in choral literature.
A minimum quantity of 5 is required on this title.
This lovely setting will be a welcome addition to your choir's Pentecost repertoire and is also well suited to celebrations of confirmation or communion. The piece gradually builds in intensity as it
A minimum quantity of 10 is required on this title.
This dynamic Congolese folk hymn is given a spirited arrangement for SATB and percussion. The Lingalo text is learned with ease, and the percussion groove locks in this exuberant assurance: Jesus is here
A minimum quantity of 8 is required on this title.
"Many will come, from north and south, and will eat in the kingdom of God." Here's a distinctive a cappella Communion setting that offers vocal styles from early American hymns. Open harmonies,
This great spiritual-like setting of the familiar communion hymn is engaging and achievable by choirs that enjoy singing a cappella music. This more upbeat communion piece will be a welcome change to the
Usually set to a jaunty, rhythmic tune, you will be quite pleased with Peter Niedmann's smoothly flowing original setting of this text. For unaccompanied SATB with occasional divisi. Different, expressive,
Bryan Jeffery Leech's beloved communion hymn is exquisitely arranged for SATB a cappella voices. Largely homophonic, it offers a contrasting section in which the tenors take the melody, and later moments of
This contemporary setting of the classic Latin eucharistic text finds a charming introduction and conclusion in brief quotes of Felix Mendelssohn's familiar Songs Without Words, Op. 30, No. 3.
These short pieces are great for communion, responses to prayer, or as a stand-alone short anthem for two, three, or four voices. The texts speak of justice, compassion, and caring for creation and
A very compelling text brings us into a prayer of personal commitment in this choral offering. Expressive chords and freedom in the tempo establish a worshipful spirit. "You are my Lord, You are my
With opening nods to Palestrina, this a cappella motet reveals an appreciation for Bruckner as well. Passionate contrapuntal lines expose beautiful dissonances that complement the age-old text, used
The text is taken from the ending of The Prayer of St. Bonaventure. The composer sets this contemplative prayer with an a cappella setting, that includes rich harmonic movement. A meaningful