Sacred Handbell Music

This original piece is full of energy with a variety of techniques included. Optional handchimes (3-7 octaves) add color.

This original composition draws the listener in with a simple beginning that builds with intensity carried by an undulating rhythm flowing with emotion. Accessible and interesting, this piece is appropriate

This creative, reproducible collection is playable by six or seven ringers. Titles include: Come, Christians, Join to Sing; Come, Come Ye Saints; Come, Thou Fount of Every Blessing (WARRENTON);

This setting of the beloved hymn piece begins with a soothing arpeggiated motive leading into the first presentation of the familiar tune. Verse 2 is more agitated, with a malleted bass line reflecting the

This lively arrangement of CWM RHONDDA is filled with exciting rhythms and techniques. Malleted bass patterns in 7/8 meter create an intriguing accompaniment underneath the hymn tune. A slower section

The tne ERHALT UNS, HERR, commonly associated with Lord, Keep Us Steadfast in Your Word; The Glory of These Forty Days and several other texts, is here set as a chorale arrangement with two

This upbeat arrangement for piano and handbells combines the hymns The Solid Rock and Rock of Ages. In true duet fashion, piano and bells alternate taking the lead with the melodies,

This rousing and rhythmic setting of the popular Central American hymn tune ENVIADO has a dance-like feel with offbeat rhythms against the cheerful melody. A meter change to 3/8 creates a contrast before

A simple arrangement of the traditional tune NICEA in three verses, with introduction, short interludes, and a tag. 

Reflective in character, this setting offers a calm tranquility to the listener. The fullness of the extended range of handbells and handchimes adds to the music's rich and lasting quality, while LVs are

Taken from Schubert's Deutsche Messe (German Mass), this arrangement includes words (in English) for ringers or congregation to sing with handbell accompaniment. An introduction, interlude, and

This original composition engages the listener from the start with a melody that shifts from 3/4 and 6/8 every other measure. This rhythm pattern continues throughout the piece except for a short section of