Classical Music for Full Orchestra

These popular clarinet concertos, both written in 1811, follow in the classical tradition of Mozart while showcasing the instrument's new technical possibilities. They arose from the fortunate introduction

Often called the last of the great classical composers, Brahms accommodated powerful romantic inclination to the demands of traditional musical form. The result is "a delightful mixture of classical form

Edited by Jonathan Del Mar. For piano & orchestra. Urtext Edition. Preface in Ger. and Eng. The editor has closely

This volume contains two of Beethoven's most unusual, highly innovative and original works: the Concerto in C Major, Op. 56, for piano, violin, cello and orchestra; and the Fantasia in C Minor, Op. 80, for

Versatile and prolific, Camille Saint-Saëns (1835–1921) was a brilliant craftsman who contributed to every genre of French music. Two of his enduringly popular works for violin and orchestra

Mozart, Wolfgang Amadeus. Ed. Franz Giegling. Published by Barenreiter Verlag, Kassel, West Germany. Copyright 1981/1990. Urtext of the New Mozart Edition. Orchestral parts, a study score, and a piano

Lovers of the rich burnished tones of the cello will appreciate the keynote of this volume: complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the

This volume presents three of the most popular violin concertos, published together in one volume for the first time:

Ludwig van Beethoven: Concerto for Violin and Orchestra in D Major, Op. 61... view details

One of the greatest piano virtuosos of all time, Franz Liszt composed piano music marked by its technical brilliance, innovation, and imagination. This collection presents authoritative miniature score

Chopin's piano concertos transform the composer's solo keyboard brilliance into grand concert hall performances, in which the orchestral portions offer bold contrasts to the delicate piano parts. The

Songs of a Wayfarer (Lieder eines fahrenden Gesellen), Mahler's first orchestral song cycle, is a strongly autobiographical work. Set to his own text, it is a revealing self-portrait of the young man in the