Here's a straight-ahead, rockin' bari sax solo feature set at 156 bpm. The ensemble has a lot of exposure and the writing has a ton of style. The changes are a variation on the blues form with a little bit...
Now in print for the first time, this was originally written in 1987 for the Richard Stoltzman album titled Ebony, featuring the Woody Herman Big Band. Duke Ellington's Come Sunday featured...
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