You know it, you love it! The opening motive is very catchy on this authentic sounding chart on the rock classic made famous by the group Chicago. Master arranger Mike Story works his magic to create an
Here's a wonderful take on the group Toto's classic rock tune from the '80s. It's solidly scored throughout and sounds amazingly like the original while remaining accessible for developing jazz bands.
You know it, you love it! This Meghan Trainor megahit is set at around 136 bpm with a solid rock groove, has no solos, and will be a favorite with students and audiences. This Victor Lopez arrangement
From the best-selling album of all time, Thriller, this rock classic from Michael Jackson makes a superb jazz band tune your students and audiences will enjoy. The brass get a chance to shine in a
Gordon Goodwin pays tribute to the great Count Basie on this famous Disney tune. With a slow Basie groove, solos for piano and tenor sax, dynamics galore, and a fabulous shout chorus, this is a fantastic
Paul Simon's soulful rock ballad is set here at 88 bpm, and as arranged by Paul Baker is sure to please! The melody is first stated by trumpet 2 and tenor sax, there are no improvised solos, and the trumpet
James Brown had many great hits, and this one translates into a funky jazz band chart that's sure to be a favorite. Set at around 116 bpm, it exudes all the soul and funk of the Godfather of Soul
Scottish funk group Average White Band had two major hits that helped solidify the horn-driven funk sound of the '70s. Pick Up the Pieces was released in 1974 and Cut the Cake followed
This funky hit from Michael Jackson's Off the Wall album translates into a groovin' jazz chart everyone will enjoy. With lots of tasty licks for the winds and very playable grooves for the rhythm section,
Hey rock fans, here's a powerful rock ballad made famous by Journey, arranged for young jazz ensemble. From the opening line, this chart is magical to the band and the audience. It has no jazz solos, but if
Radiohead is an English alternative rock band and James Miley's great arrangement of one of their most popular recordings really works well for big band. There is solo space for tenor saxophone and this
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