Jazz/Rock and Funk Jazz Ensemble Charts

Recorded by jazz artist Jon Batiste and his group Stay Human as the theme song for The Late Show with Stephen Colbert, this energetic tune features an appealing jazz/rock flair. The saxes take the lead in

Originally recorded by the Cannonball Adderley Quintet, here's a classic jazz tune that works great for younger ensembles. Arranged here in an attractive shuffle funk style, there's nice balance between a

Featured on the TV series "The Voice" performed by Ray Boudreaux, this hit from the 1970s is typical of the infectious bluesy style of composer/singer Bill Withers. Here's a funky chart for younger players,

No one brought musical energy and excitement to the stage, TV and film like the Blues Brothers! Here's a concise and accessible medley of their biggest hits, including I Can't Turn You Loose, Soul

Jaco Pastorius is widely known as the ultimate funk bassist; however, he has composed numerous jazz/rock/fusion/funk classics. Arranged here in a flexible three-plus horns and rhythm section

Recorded in the mid-1950s and also known as Trane's Blues, this jazz classic is credited to Miles Davis but reportedly was penned by John Coltrane. Regardless, Michael Mossman's refreshing version

Skillfully blending jazz with R&B, saxophonist Grover Washington, Jr. created a fusion classic with his 1975 recording of this tune. This chart beautifully adapts the soulful lines and hypnotic groove

The heavy influence that Stevie Wonder had on funk and jazz is clearly evident in this hit from 1974. Made even funkier in this version for big band with a tempo slightly slower than the original, the

Everyone knows this Henry Mancini favorite, but not like this! Mike Tomaro has gleefully twisted the well-known melody into a New Orleans-style second line groove for jazz ensemble! The signature bass line

This funk classic from Jaco Pastorius naturally features a prominent role for the bass player. Skillfully arranged for full jazz ensemble, the back-and-forth riffs are traded between smaller groups within

Recorded by Weather Report on their landmark album Heavy Weather in 1977, Havona epitomizes the high-energy jazz fusion style of Jaco Pastorius. This version for little big band is a real showpiece

Inspired by the version of The Pink Panther recorded by Bobby McFerrin, Mike Tomaro breathes exciting new life into this Mancini favorite. Combining a unique shuffle funk groove with creative

From Mark Ronson and Bruno Mars, this monster hit is the perfect throwback to a funky R&B style! This arrangement for younger players features modest ranges and repetitive yet authentic-sounding

Recorded by Miles Davis, Wayne Shorter's hypnotic minor blues has become a true jazz classic and required literature for jazz musicians. Arranged here using a medium straight-eighth-note groove, this chart

Unavailable for many years, this outstanding and challenging composition for advanced jazz ensembles is back in print! It was originally recorded by Maynard Ferguson on the It's My Time album and features

David Gardner's funky original features a straight-ahead groove with the rhythm section establishing the feel right at the top. The ensemble continues with a melody and counterpoint figures that are

The funky groove starts right away and never lets up in this accessible rock chart for young jazz bands. Punchy lines coupled with colorful harmonies set this piece apart. The solos are for anyone with

Modal jazz has played a big role in the development of the art form, and this haunting straight-eighth groove chart with a mostly legato melody is the perfect introduction to this important style. Colorful

Hello! Your funk chart is ready for pick-up! A perfect vehicle for teaching 16th-note rhythms, Yonkers Is Calling has something for everyone. With a tempo around 100 bpm, it features

Finally, the music of Steely Dan comes to the world of big bands with this outstanding arrangement! Originally arranged for the HR Big Band (Germany), this rock-ish, heavy-shuffle tune provides hard-hitting

Steely Dan's Gaucho was originally arranged by Fred Sturm for the HR Big Band (Germany). Set in a slow half-time gospel feel, there is beautiful, lush ensemble writing throughout the piece. As with