Percussion Ensemble Duets

From the pen of Roger Winslow (204 Progressive Sightreading Tunes), these original duets begin simply and progress to an advanced level. Great for encouraging ensemble playing as well as building

Adaptable Duets contains 29 newly composed or arranged duets written for Grade 1.5 to Grade 3. Written by emerging composers Tyler Arcari and Matthew R. Putnam, these duets will add something new,

Specifically designed to correlate with Book 1 and Book 2 of Alfred's Basic Band Method (or any other standard band method), these are excellent supplementary books which include both

A collection of solos, duets and trios that correlates exactly with Units 7, 10 and 14 of Alfred's Basic Band Method. Contains music and mini-bios of the masters and are playable by any combination

Imagine a collection of ten easy to intermediate Cajon duets wrapped into one colossal book. Well, imagine no more. Here it is! 

A fine easy work for snare drum and 2 timpani (or 2 tom-toms).

There simply could not be a more flexible series of ensemble books! You can put together a flute-tuba duet, oboe-French horn duet, or any other combination you wish, including standard combinations such as

Reading and musicality studies in the form of duets from Al Payson, Principle Percussionist emeritus of the Chicago Symphony. Mr. Payson has arranged these novice to intermediate duets so they can be played

Duology is a collection of ten duets designed to give young percussionists the opportunity to grow as musicians by collaborating with friends. The book is divided into four

This collection of 15 beginning duets contains an entertaining variety of performance pieces aimed at nurturing a musical approach to snare drumming. Students are exposed to the use of dynamics in a

Dynamic Duos for Drums is a collection that is accessible for young percussionists while being musically interesting for both players and audiences. Through the use of multiple key signatures, time

Dynamic Duos for Mallets is a collection for keyboard instruments (bells, xylophone, vibraphone, marimba) that is accessible for young percussionists while being musically interesting for both

Chad Heiny’s Elements not only serves as a programmatic piece representing natural elements through musical devices such as texture, phrasing, style, and tonality, it also functions as a