A work song sung by farmers when processing barley, this folk song from Kyeong-Sang-Do, a province in southern Korea, is set with expertise by one of South Korea's leading composers. Based on the pentatonic
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As recorded by the Latvian Voices, this is a very fresh and modern take on a traditional Latvian folk song. With themes of power, strength, and luck, this tremendously fun setting sounds impressive with its
This work is based on a traditional children's song from Korea combined with an original tune. The composer preserves the simplicity of the song by using only four notes woven canonically. Technical but
A minimum quantity of 5 is required on this title.
Beautifully stated phrases from a canonical text plead "Holy God, Holy Mighty, Holy Immortal, have mercy on us." There are pronunciation guides and translation for the Ukrainian text, and the shimmering a
Expressive and emotive, this original work is a harmonically rich setting of a Spanish text by early 20th-century Argentinian poet Alfonsina Storni. The imagery of young lovers uttering two special words
From the Indonesian province of South Kalimantan, this song tells of yearning for a loved one who has not been seen in a long time. This arrangement is a tremendous way to connect your choir to this
This traditional Hassidic melody is here set for advanced mixed choir and optional klezmer band. The San Francisco Choral Artists premiered this arrangement. It will take an accomplished ensemble to bring
A minimum quantity of 10 is required on this title.
This colorful and dramatic piece shares the plight of the dragonfly using onomatopoetic sounds to accompany the story.
South African music producer Master KG took the world by storm when the Jerusalema dance challenge hit social media. This highly energetic a cappella arrangement employs layered polyrhythms, articulate
Featuring tenor and alto solos, this piece is based on a traditional Argentinian theme. Fairly complex in texture and harmonic structure, this exciting work also features a virtuosic piano
This is a popular Indonesian folk song about the game of tug of war from the island of Maluku in the Moluccas. It is a call to live in togetherness, even though there are differences that attract each
With the traditional Latin lyrics "Gloria in excelsis Deo," this setting is anything but traditional. Including some chant as well as stomping and clapping throughout, this almost has the feel of a Maori
Translated as "The One-Horned Cow," this is a playful song learned by many Irish children in school. With origins in the southwest coast of Ireland, the one-horned cow is a metaphor for a poitin still (an
From the Italian word tutti, meaning all or everyone, and the Hindustani (northern Indian) term tarana, a musical form that allows solo singers to display vocal agility, this original work
A fast and furious piece depicting the fierce power and beauty of the pre-World War II trains in the Philippines. The lyrics (in Tagalog, the national language of the Philippines) combine vast landscape
This exciting Hungarian-Romani folk song, originally arranged for Chanticleer, has been masterfully adapted in this arrangement which includes shouts, calls, claps, and spoken sounds in the tradition of
This setting of a Buddhist recitation creates a mesmerizing layered texture that is accompanied only by the constant beating of a temple block. The otherwise a cappella harmonies use repeated motives and
Based on a famous traditional Korean children's song, this creative setting for a cappella mixed choir with bongos and woodblock utilizes a whole-tone scale and text painting. The Korean lyrics use
This Pakpaknese folk song from North Sumatra, Indonesia is commonly performed at wedding celebrations, opening ceremonies, and cultural events in the region, often accompanied by traditional dancing. By
Written for Philip Brunelle and Vocal Essence, this beautiful and complex piece in Spanish asks in longing harmonies, "Where has love gone?" and comments, "Because it is inhumane to live without love and
This work, inspired by Mexican culture's perspectives on death, is written for choir and indigenous instruments, including: three ayoyotes, one ocarina, one death flute and one teponaztli, which are played
Pulitzer prizewinning composer Shulamit Ran provides a grand statement in praise of the pursuit of knowledge. Wisdom, understanding, and learning are highlighted as the means to justice, judgment, and
This upbeat a cappella piece is truly a celebration. Including vocal percussion throughout, the dynamic rhythms, contrasting sections, interplay between the vocal lines and the text "Therefore, let's enjoy