Imagined and created for a Leonard Bernstein 100th anniversary celebration, We Reply was inspired by his famous quote about making art in the face of adversity. It bursts forth with rhythmic energy
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Ethereal and mysterious, this setting of a gorgeous text by 11th-century mystical poet & nun Hildegard von Bingen is a stunning work for treble choirs. Translated as "O Glistening Starlight," the poem
For double choir, here is a late 16th-century motet by Raffaella (Vittoria) Aleotti, a composer believed to be the first woman to have sacred music appear in print in 1593. Using text from Song of Solomon,
Forming from a single unison pitch, this work builds into five parts of full harmony on the traditional Latin text. The Soprano 1 part opens with the opportunity to feature a soloist, and the gorgeous
A beautiful setting of the beloved hymn! A simple piano accompaniment provides underlying movement, which paired with lovely lines for cello and violin, add a lush foundation to the well-crafted vocal
Pulsating rhythmic ostinatos, cluster harmonies, and soaring soprano lines are all present in this exciting a cappella concert work, possessing all the elements you'd expect from the composer of Veni,
William Blake's text is given an elegant a cappella setting with full harmonies that will appeal to more advanced choirs.
The well-known song Shut de Do! has been arranged in combination with an original melody and Swahili text to create a multicultural celebration that is simply dynamic. Powerful harmonies and
From Argentina comes this lovely a cappella setting of the traditional Ave Maria text for treble choirs. The resonant harmonies will ring with a tranquil beauty, and this piece will find a home in concert
"May you always remember when the shadows fall, you do not walk alone." This ethereal setting of a traditional Irish blessing is scored in a variety of voicings with piano. Deft strokes of Celtic styling
Perhaps Faure's most famous choral work apart from his Requiem, this 1865 work is an enduring choral classic worthy of study. This edition uses the French text only and gives options to purchase with or
The cries of the damned open the powerful second movement from the Mozart Requiem. “Day of wrath, day of judgment” makes a dramatic choral statement with a mostly homophonic texture. The piano
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This is the fourth and final movement in the song cycle Appalachian Stories for choir with fiddle accompaniment. This final movement speaks to faith: the belief that a better world awaits us on the
With a fun gospel texture, this work sets the Latin text with a bluesy groove. A marvelous piano accompaniment provides support for rhythmic choral parts which are written with musically satisfying yet
"Lead, kindly Light, amid the encircling gloom; the night is dark, and I am far from home; lead thou me on! Keep thou my feet; I do not ask to see the distant scene; one step enough for me." This gorgeous
As performed by Brigham Young University's a cappella group BYU Vocal Point, this Irish folk hymn sparkles in a contemporary a cappella setting. Full harmonies surround the solo lines, creating a texture
Modern cluster harmonies within an a cappella texture, this setting of Christian Robert Shockley's text is inspired by the writings and sayings of Mr. Fred Rogers. The SATB texture features some divisi and
A number of movements from Requiem for the Living by Dan Forrest comfortably stand alone. The Sanctus, movement IV from the work, is scored for divisi mixed chorus with keyboard or
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Set for either a cappella mixed or treble voices, this work is exhilarating and powerful with a rhythmic drive that is most captivating for both singers and audience.
Here is a vibrant and jazz-influenced setting of the celebratory culmination of the Book of Psalms. The text is a combination of Hebrew and English phrases as it describes the various instruments of the
This adaptation of Mozart's choral work has been carefully edited with dynamics and phrasings to help choirs realize the composer's intentions and perform this classic with stylistic integrity. Singers will
This is a dynamic and challenging work for more advanced tenor-bass choirs. It infuses the arranger's unique style with the traditional hymn, resulting in an earthy, industrial, and new sound. Accompanied
Based on a Renaissance piece by Franco-Flemish composer Pierre de Manchicourt, this lovely composition maintains the flavor of the original work while adding modern rhythmic elements and tonalities.