Taking after Benjamin Britten, this collection of seven Christmas carols are settings of English texts from the 15th and 16th centuries for choir with piano or harp accompaniment. Composed following
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A unique and accessible Christmas Mass setting! The traditional Order of the Mass is set in Latin for SATB chorus and is layered with Christmas carols in English, either to be sung by unison children's
This work was designed not only to live well in the concert hall, but also to transition into the church sanctuary. The composer's trademark cinematic moments, soaring choral melodies, and impressionistic
Soaring melodic lines combine with a lush harmonic palette to deliver a poignant reflection in this 21-minute reflection on coming of age, maturity, and perspective. This five-movement work is a shimmering
Requiem is a powerfully appealing, tender exploration of love and loss. Grounded in tradition while incorporating a present-day harmonic language, two Gregorian chant motives...
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Sweeping and cinematic in scope, this multi-movement work serves as both a tribute to the birds that once filled our skies and a warning about our own tenuous existence on the planet. The compositional
Drama, emotion, and exquisite compositional technique are woven into a masterpiece for our time. The choir, singing the traditional Latin texts, represents the God-fearing congregation in mourning, while
A collaboration with poet Charles Bennett, this celebratory work explores all that we can learn from the natural world.
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Drawing on the soundscapes of Western European and Indian traditions, this impressive piece is centered around a beautiful poem by Indian-American author Neelanjana Banerjee which examines the special
This arrangement offers a new way to engage with these beautiful late works. The original settings are available in the first volume of Collected Songs by Vaughan Williams.
Written in memory of George Floyd, this contemporary requiem features many different styles of composition. The intensity of the work is marked by powerful narration, creative incidental music, and a
Unlike Bach’s other oratorio compositions, there is no definitive version of the St. John Passion. Bach constantly updated and adapted his compositions to meet the exigencies of an impending
Felix Mendelssohn’s oratorio Elijah caused a sensation at its world première performance, sung in English, in Birmingham UK in August 1846. The huge forces marshalled for the occasion delighted
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Following upon Alexander’s Feast (1736), in 1739 Handel produced a second setting of the Ode to St Cecilia (“Song for St Cecilia’s Day”). At its première it
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This presentation is both a cantata and theatrical concert work in the style of works by Honeggar, Copeland, or Bernstein. The story depicts the creator of the universe as a weaver, the world as a tapestry,
In this passionate four-movement work, Chilcott and lyricist Delphine Chalmers explore themes of inclusivity, identity, and unity. The middle movements, Harmony and Rhythm, have strong
Written for the Skylark Vocal Ensemble in 2021, this a cappella work is set for narrator, SATB soloists, and SATB choir (with optional bones!). Sheehan weaves original works and familiar carols around the
This publication of a new completion of the Mozart Requiem offers a source-critical edition of Mozart's fragmentary Requiem as well as an alternative to the traditional Süssmayr version. It makes it
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This seven-movement major work from American composer Margaret Bonds sets W.E.B. Du Bois' Credo text, one of the most iconic civil rights writings, by grouping Du Bois' nine articles into seven
This three-movement suite for tenor-bass choirs is intended to elevate conversations regarding mental health. The composer brings his sense of the dramatic to this powerful score. The first movement,
In response to the growing need for developmentally appropriate repertoire that facilitates the teaching of independent part-singing, this Missa Brevis was composed for emerging choirs seeking concert
This heartfelt cantata of gratitude and remembrance is a poignant reflection on the COVID-19 crisis. Scored for soprano solo, SATB choir, piano, organ, and brass ensemble, it is a seven-movement work that
This vibrant and expressive three-movement setting delivers a poignant reflection on one of the oldest Christian hymns. It may be performed in Latin or English. Three accompaniment options include organ
This superb Latin Mass setting for choir and organ demonstrates Rutter's strong melodic sense and innate feeling for choral sound. The atmospheric Kyrie leads to a Gloria that contrasts vibrantly rhythmic