Collegiate Repertoire

Two traditional East African folk tunes have been woven together to create this arrangement that features alternating sections of lively, rhythmic call and response with percussion and slower meditative

A thoughtful setting of Freya Manfred's text Who We Are When We Don't Know Who We Are, this through-composed piece effectively uses open spaces and silence to contrast thicker choral textures to

Meticulously crafted to a stirring text, this piece opens with a powerful statement, angular and pointed. Body percussion transitions the music into a developed groove, offset by syncopated rhythms and

This life-affirming text from Sara Teasdale is treated to satisfying development and flowing, lyrical vocal and piano lines. All voices are affirmed and engaged equally, and what begins as a relatively

This work begins intimately and develops dynamically, with poetic text from the composer. Simple musical ideas evolve throughout the piece, mirroring the complexity of human relationships. Changes in key

This work is a fresh setting of the Requiem Mass. The work, for soloists, chorus, and orchestra, takes its name from the poem by Elaine Goodale Eastman, incorporated as the fourth movement. Compositionally,

Here is an elegant and joyful welcoming to the season of Christmas. The text invites the warmth of the season to permeate our hearts and the distance we create between ourselves by inviting in the fire of

Creatively set as a palindrome with a coda in ABCDCBA form, this traditional Brazilian folk song tells the story of a young man named Siriri who no longer answers the call of the young girls around him.

Here is a traditional Lakota lullaby sung by mothers to their young boys. The Lakota language has become nearly extinct, but composer/arranger Linthicum-Blackhorse has made it his life's work to bring the

While largely staying true to the beloved NEW BRITAIN tune, this fresh arrangement offers new textures and a variety of voicing throughout the hymn, culminating in a triumphant final verse. This octavo is

This rousing English music-hall song was arranged for the hit television production of Agatha Christie's Why Didn't They Ask Evans? The song accompanies the final wedding scene and is full of joy

Commissioned for the coronation of King Charles III and Queen Camilla in 2023, this anthem was first performed by a massed choir including the Westminster Abbey Choir with the Coronation Orchestra. Using

Lola Ridge's contemplative and profound poem is given a celestial soundtrack, using subtle repetitions of phrases like gentle waves of sound reinforcing the meaning and reassuring the singer and listener.

One can hear the influence of centuries of past compositions in this newer setting of Mary's exalted prayer within the Christian faith. The character of the music feels soothing and familiar, yet there are

This modern take on the Psalm 23 text is nothing short of inspired! Music and text unite perfectly, with unique gospel chord progressions and lush harmonies.

Featuring either a mezzo-soprano or baritone soloist, this classic a cappella arrangement of the beloved gospel song is a gem for mature choirs. 

With Spanish lyrics from Mirem de Ondiz written to portray the story of an immigrant who is missing her previous home, this lament is both expressive and personal. The a cappella divisi texture uses

On the subject of the humanitarian crisis in Venezuela, the composer's native country, this expressive piece is a plea for help. Effectively using dissonance, accents, rests, whispers, aleatoric spoken

The traditional Austrian carol sparkles within a modern construct. Shimmering, close harmonies and an optional soprano solo add to the dreamlike quality of this comforting Christmas lullaby.

A powerful 15-minute work depicting images of destruction and hope with passages from the Lamentations of Jeremiah. Scored for mixed choir with SATB soli or double choir, it uses the same instrumentation as

With traditional Latin text by St. Thomas Aquinas, this is a beautiful choice for both concert and liturgical settings. Its serene homophonic texture features antiphonal singing, making it accessible to

"Golden Light Mass" is appropriately named for the comforting warmth it brings to this solemn five-part Mass setting. Both early and modern compositional elements shape the unique soundscape of each

Influenced by the choral works of Mendelssohn, Robert Seymour Bridges' sacred poem is sensitively set for double choir through the use of classical voice leading and harmonic structure. Appropriate for both