Collegiate Repertoire

From the large choral work, "The Unarmed Child." There's really no way to appropriately recognize your lost child's birthday, Jeremy said as he and Jennifer talked about what life has been like for their

John 8:31-32 is set here in a well-crafted anthem that experienced singers will enjoy. The piece is laid out in three sections, opening with an expressive chordal section, followed by a bold and festive

Soaring melodic lines combine with a lush harmonic palette to deliver a poignant reflection in this 21-minute reflection on coming of age, maturity, and perspective. This five-movement work is a shimmering

Sweeping and cinematic in scope, this multi-movement work serves as both a tribute to the birds that once filled our skies and a warning about our own tenuous existence on the planet. The compositional

Drama, emotion, and exquisite compositional technique are woven into a masterpiece for our time. The choir, singing the traditional Latin texts, represents the God-fearing congregation in mourning, while

A beautiful poem written by Charles Anthony Silvestri during the height of the COVID-19 pandemic is set here to evocative music, capturing feelings of isolation and longing - particularly longing for voices

Painting a picture of a gentle snowfall and how it changes the landscape, this setting's beautiful and purposeful harmonies and compelling melodic line make it a wonderful offering for more advanced SATB

From the Indonesian province of South Kalimantan, this song tells of yearning for a loved one who has not been seen in a long time. This arrangement is a tremendous way to connect your choir to this

A truly inspiring work, this is a wonderful selection for a concert opener, choir festivals, and honor choirs! The Latin text has been set to new music with exuberant character, energy, vitality, and

When the berimbau plays, the game begins. Rhythmic and lots of fun, this song is about the berimbau, the most important of Brazilian capoeira instruments. An achievable work for high school choirs and

Engaging triple SATB choirs, this lively 16th-century work is appropriate for collegiate, community, and professional groups and will make a fantastic concert opener!

While short, this fast-paced work with a unique meter is rich with modal inflections and modulations. It is well suited to intermediate high school and college choirs.

This highly artistic work is a particularly good choice for winter programs. The melody is shared and passed between voices, and the piano supports it all with sounds of snow and wind in steady rhythms.

This witty setting seeks to answer the age-old question, what shall we do with that drunken sailor, anyway? For unaccompanied divisi chorus - with plenty of rhythmic activity, complementary vocal

Stephen Bock's poignant text asks where a loved one has gone now that death has come. With its rising motives, this setting for unaccompanied mixed divisi chorus and two soloists beautifully captures the

This piece demonstrates impressive range and variety. Clustered harmonies, independent vocal lines, ostinatos, lyrical solos, and vocally produced sound effects are all showcased in this artistic setting

This 1862 work displays superb control of Coleridge-Taylor's text setting, accents, and dynamics, creating vocal lines as natural as speech. In complementary harmony with Rosetti's text, voice exchanges and

This expressive work for divisi choir is composed of smooth lines and beautiful part-writing accompanying the traditional Latin text. The composer takes singers on a journey through the fullness of color

Masterful arranging and a mix of styles and influences bring grace and power to this treasured hymn in the Amanda Quist Choral Series. Smooth a cappella vocal lines and expressive soulful textures will

Singers and audiences will enjoy this setting of E.E. Cummings' poem i thank God for this most amazing. The text highlights the celebration of the beauty and wonder of the natural world as well as

In this nuanced piece for experienced ensembles, the audience is invited to "hear my voice pierce the ceiling of the waves" as expressed by close harmonies and artistic text painting. Taken from the Book of

This appropriately mournful setting of the traditional Latin text is rich in harmonic, rhythmic nuances and lyrical melodic lines. Moments of this piece will place you and audiences in the mobs commanding

Ao bao Xiang Hui means "Let us meet at the ceremonial mound." The erhu or violin presents the folk song complete with traditional ornamentation and deliberately marked by tone chimes. The

Ideal for advanced choirs, your singers will enjoy the challenge of new harmonies while singing this very familiar tune. A wonderful choice for dedication services, Earth Day, or any general service or