Major Choral Works

Expanding on the Mass, this major work incorporates a mixed choir, a treble choir, and a gospel quartet along with the bluegrass band accompaniment. With tongue planted in cheek, the Angels are in the

The Chicago Tribune writes: "Moving among styles ranging from Lutheran hymnody to blues to Broadway, this modern-day Passion will move many listeners to tears even as it reaches beyond tragedy to peace,

This setting, for SSSSAATTBB unaccompanied, is one of the most striking modern settings of this ancient text. Set as one coninous movement, each stanza has its own discrete musical identity. With a rich

A six-movement choral cycle for soprano solo, SATB chorus, and harp based on the incarnation of the Divine in the life of Christ from Medieval English texts. The harp part is at times robust, at other times

Due South is one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman's choral settings are broad in scope and tone;

Each of the movements in this work chronicles Teasdale's search for solace amid life's many storms. The tapestry of different vocal forces set against the backdrop of oboe and strings reveals moments of

This multi-movement work offers a musical peak into the fantastical visual world of Marc Chagall via poetry by Robert Bode. Its seven poems are imaginative reflections on seven paintings by the

The text for Dreamweaver is based on parts of the well-known Norwegian medieval folk poem, Draumkvedet, an epic ballad that has a lot in common with Dante's The Divine

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra. Since it was first heard in 1994, Adiemus has

This is a 35 minute, 5 movement work for chorus and orchestra encompassing ancient chant, shimmering light, unconditional love, heavenly joy, and deep peace.  Performances require the rental of one of

This five-movement work celebrates the long Canadian winter, setting texts by the composer, Sara Teasdale, Lucy Maud Montgomery (of Anne of Green Gables fame), and Melville Cane. Each movement

This a cappella work was designed for short worship services and was written without complexity, expressing the possibilities of rhythmic and melodic changes but always respecting the classical concept of

Translated literally as the "Mass of the Five Lands," Narverud paints a picture of his interaction with the enchanting string of centuries-old seaside villages on the rugged Italian Riviera coastline. The