Sacred Choral Concert Music

This a cappella setting of a familiar sacred text provides a beautiful moment for personal reflection. With careful attention to detail and voice leading, this piece may be sung with or without a soloist or

Three verses of the intimate and prayerful Latin text O nata lux de lumine are employed for this lovely a cappella setting. Suitable for Christmas or general programming, this work for mixed choirs

This festive original setting of the traditional Latin text captures the essence of joyful admiration of God. Both solemn and majestic, pensive and jubilant, the a cappella sonorities expressed and explored

Mixed scriptural texts in Latin, German, and Basque are unified into a single and universal musical language in this piece. Spacious vocal architecture, tasteful dissonance, mixed meter, and skilled voice

Rhythmic and syncopated, this driving and energetic portrayal of two angels clamoring over one another to see whose praises are the loudest explores themes of listening and accepting that we are more alike

The pleas for intercession that highlight this famous text are painted in aching colors by an expressive keyboard accompaniment and close vocal harmonies. Sensitively set independent vocal lines and musical

Equally effective a cappella or with the optional piano accompaniment, this dynamic work with the traditional Latin text is a great choice as an opener for either Christmas or general programming. A fanfare

An ancient Irish folk hymn is transformed into a breathtaking modern choral experience in this arrangement for divisi mixed choirs from Voctave's arranger. Innovative jazz-influenced harmonies and a

Rhythmic ostinatos, cluster harmonies, and soaring soprano lines are all present in this exciting a cappella concert work, possessing all the elements you'd expect from the composer of Veni, Veni

Beautifully stated phrases from a canonical text plead "Holy God, Holy Mighty, Holy Immortal, have mercy on us." There are pronunciation guides and translation for the Ukrainian text, and the shimmering a

Reminiscent of a folky early American harmonic style, this original a cappella work in Latin from Slovenian composer Bec is upbeat with open harmonies and well-placed rhythmic claps and stomps. Fun to sing,

"Death, thou art welcome to my arms attended by a thousand charms..." The text dates back as far as 1818 and speaks to the human desire for a peaceful end to life in this exciting and contemporary setting

Beautiful modern a cappella divisi harmonies set this short text in both Latin and English that encourages us all to find the hope within. Sections alternate between serene slow-moving harmonies and quicker

With text from the traditional Latin Mass, this modern a cappella work captures the feeling of a rushing current throughout. Layers of ostinatos and vocal effects along with some simple body percussion

Arranged as a joyful processional, this 14th-century Latin motet can be sung completely a cappella or accompanied by hand drum and tambourine. This short work includes an optional repeating section that may

These two short Renaissance gems have been carefully arranged for developing choirs: Inimici Autem and Alleluia, Laus et Gloria. Special care has been given to retain the beautiful chord

The ancient joy-filled word "Alleluia" is paired with contemporary harmony and gently syncopated rhythms that sometimes function as an ostinato. Independent parts weave in and out to create a brilliant

Tenor-bass and treble choirs of all ages will relish singing these gorgeous harmonies with the traditional Latin text. With the option to sing a cappella or with a supportive piano accompaniment, the

Two short contrasting movements may either stand on their own or combine into one longer setting. The Gloria setting is upbeat, rhythmic, and fanfare-like, while the Alleluia is quiet, introspective and set

A prayer for inner peace during times of overwhelm, this setting from the Book of Hours (1514) provides a lilting and comforting melody that flows with ease. Accessible to early intermediate choirs,