Sacred Choral Concert Music

"Death, thou art welcome to my arms attended by a thousand charms..." The text dates back as far as 1818 and speaks to the human desire for a peaceful end to life in this exciting and contemporary setting

Here's an exciting work that will make a great concert opener! Mostly in 7/8 meter, it will give a nice but achievable challenge to your chorus. A good selection for honor choirs and festivals! "Let

The beloved Latin text is set in an elegantly simple texture with conservative ranges. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the chant line. In a variety

Better a cappella choirs will enjoy this contemporary motet on the classic Latin text. Rich harmonic colors and expressive dynamics pay fitting tribute to the sacred mystery of this place made by God.

With the traditional Latin lyrics "Gloria in excelsis Deo," this setting is anything but traditional. Including some chant as well as stomping and clapping throughout, this almost has the feel of a Maori

A gorgeous setting of the well-known English prayer text. Available in a variety of voicings, this blessing is a wonderful way to conclude a service or performance.

This wondrously beautiful and inviting music embodies the magic and wonder of the Nativity. Based on ancient chant, the modern a cappella harmonies move and explore sonorities that bring colorful dimension

This unique setting pairs the iconic Latin text with a new, original English text which responds to the question: Why do we rejoice and shout our praises to God? The music captures the energy, rhythm, and

In a perfect blend of the ancient with the modern, this majestic work sets a text by Hildegard of Bingen with pentatonic chant-like melodies, parallel lines, and sections of counterpoint that are stunning.

"We are not alone, God is with us." Here is a piece that succinctly captures a confident thought and presents it in a straightforward, honest way. The choir supplies rhythmic energy while the soloist glides

A beautiful setting of the beloved hymn! A simple piano accompaniment provides underlying movement, which paired with lovely lines for cello and violin, add a lush foundation to the well-crafted vocal

"May you always remember when the shadows fall, you do not walk alone." This ethereal setting of a traditional Irish blessing is scored in a variety of voicings with piano. Deft strokes of Celtic styling

This work is pure magic! Short rhythmic phrases repeating and building on top of one another, contrasting sections, a dynamic and rewarding conclusion. The traditional Latin text makes it appropriate for

A favorite Nova Scotia Latin canticle with a simple harmonic arrangement solo for tenor or unison tenor section.

This bright and festive a cappella work is set for has become a standard in choral literature for both festival and church choirs. The SSAA and TTBB versions have been adapted by Tim Sarsany.

This selection includes a modern reimagining of chant elements combined with a multi-metric feel and joyful melody. Great for a concert or church service with advanced singers.

A lyrical setting of the Alleluia with an underlying ostinato chant that is both solemn and passionate. This is a stirring piece and makes a powerful opening number either a cappella or with organ

Written primarily for the an anthology of Scandinavian music, this piece evolves calmly but with a strong momentum in a large dramatic arc across its three-part structure. With clear part-writing and

Useful in a wide variety of circumstances including as a Palm Sunday introit or procession. It is also a great teaching piece for a school group or choir festival. Finally available for double TTBB chorus,

Here is a rousing setting for a cappella chorus on the tune Invitation from the shape note collection Southern Harmony of 1835. With an alternate text for the Christmas

Although Rosephanye Powell often selects sacred texts for her music, it is the uniqueness of her writing style that enables it to serve both in worship and concert. Ascribe to the Lord, one of her

The fourth movement of Dan Forrest's new LUX:The Dawn from on High is now available as a stand-alone octavo. Its jazz-influenced harmonies, infectious rhythmic energy, soaring vocal lines, and