Lush jazz harmonies and smooth voice leading permeate this arrangement of the legendary song Georgia on My Mind. The state of Georgia officially designated Ray Charles' version as the official
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From the Grammy-nominated work The Lost Birds, this simple melody inspired by children's songs is a setting of Sara Teasdale's poem "In the End." Showcasing her signature pairing of nihilism
From the Grammy-nominated work The Lost Birds, this setting of a poem by Edna St. Vincent Millay ends the first half of The Lost Birds. Told from the point of view of the poet, it starts with the
From the Grammy-nominated work The Lost Birds, this selection is a setting of Emily Dickinson's poem "The Saddest Noise, the Sweetest Noise". It begins the story of The Lost Birds in spring:
Arranged for the vocal group VOCES8, this stunning setting is adapted from the sixth movement of Ades' first string quartet, "Arcadiana." The lyrics are derived from a single line of William Blake's
A well-known text by George Herbert combined with a sensitive choral setting, this piece includes lovely harmonies in a beautiful selection for advanced ensembles.
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This lovely setting of a message of love and peace is in an accessible a cappella format suitable for any mixed ensemble. It can be used in both sacred and school settings, with an original text that will
This is a richly harmonic setting of a Christina Rossetti poem about holding on to the memories of one who has departed.
An exquisite setting of Percy Shelley's famous poem written for the vocal group Apollo5. The accessible dissonances enhance the beauty for both the choir and the listener.
With a fresh, contemporary feel, this selection brings an uplifting message of hope and friendship through times of darkness. With its wide appeal, it is available in several voicings, including the Ember
The Gallipoli Peninsula in Turkey is now marked with cemeteries; particularly striking are the graves of Australian and New Zealand infantry which are marked with epitaphs provided by the families
Conceived during the 2020 COVID pandemic, this responsive work explores perseverance in the face of self-doubt alongside a wish to help others by reflecting the light they bring into the world, giving it a
In a style that is equal parts contemporary and historic, this unique concert work employs a variety of vocal styles, including contemporary a cappella, overtone singing, vocal jazz, and shape note/sacred
In this stunning work, sweeping melodic lines and at times unexpected harmonies envelop a text from Rainer Maria Rilke translated into English. Beautifully depicting the text, the lines allow for the rise
William Wordsworth's text shimmers in this a cappella setting with poignant imagery and gently moving clusters and suspensions in the harmony. "Our birth is but a sleep and a forgetting: the Soul that rises
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Subtle choral harmonies begin peacefully as the lyrics speak of the moments at the quiet beginning of a fresh new day. Building with energy and texture, they cry "Here I am!" in an empowering call to
The shades of Finzi and Vaughan Williams are strongly present in these three delightful unaccompanied choral settings, and yet the style and execution are wholly Rutter's own. O Mistress Mine is a
This is an homage to the island of Omey in County Galway, Ireland, done in a modern Celtic and contemporary a cappella style. With background harmonies that weave and flow around the melody, the vocal
Emily Dickinson's poem is set with unaccompanied harmonies that speak to the darkly mysterious quality portrayed in the text. Useful at any time of year, but especially effective for the winter solstice or
This original piece flows gently and sincerely, making the text all the more poignant. "Despite our tears, despite our fears, despite our differences, you are loved." A powerful learning experience for
The joyful, cascading introduction begins from a unison note, setting the tone for this setting of the famous Teasdale poem. Like a heartbeat, the rhythmic call and response between treble and tenor-bass is
Lush harmonic textures are the framework for this beautiful, ethereal piece for mixed choirs. Cluster chords and effectively used dissonances help to evoke the vastness and mystery of space while
Mirroring in the musical texture what poet Kate Wakeling has created in the composition of her poem, the music revolves around a fixed pitch that appears as an ostinato on the syllable "O." Expressing the