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Charged with gospel-style excitement, this traditional spiritual comes alive with energy and style. A powerful chorus, hand claps, a stacked vocal section and a key change build to a big ending that is sure
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"My good Lord's done been here, blest my soul and gone away." Here is a spiritual that is not as well known as others, but with the Moses Hogan and Rollo Dilworth touch, it deserves a special place in
Here is an awesome ring-shout spiritual for young singers, which harkens to the historic folk-music style of the South Carolina Sea Islands. Call-and-response vocals, hand claps, and a great piano part make
Now available in men's and women's voicings, this powerful original Moses Hogan spiritual has a multi-layered texture that is both challenging and invigorating.
This southern gospel spiritual will raise the roof of your concert hall or sanctuary with a "Saturday night revival" feel and foot-tapping a cappella harmonies! Add the hand-claps to bring it on home!
Steadfast and strong, this contemporary setting of the traditional spiritual connects with history in a powerful way. Ideal for festival choruses and combined choirs, this is an inspirational selection
Composed in African-American gospel style, this work of joy and commitment may be performed in both sacred and secular settings. "My heart is overflowing, my heart is growing in gratitude..." This will
There's plenty to like about this straightforward, energetic spiritual setting for younger choirs! Well crafted parts, crisp rhythms, call and response, and a fun vocal stack make this an excellent showcase
Featured in the movie "Sister Act II," this gospel powerhouse was a big hit in 1969 for The Edwin Hawkins Singers. Previously available only in digital format, this arrangement continues to be popular with
This spiritual tells the story of Moses leading the Israelites to safety through the parted waters of the Red Sea. This arrangement, set in a flowing 6/8 meter, features gospel and jazz style harmonies in
This a cappella arrangement of the traditional spiritual pulses with rhythmic energy for mixed voices and baritone soloist. Vivid contrasts, layered vocal phrases and varied textures make it an impressive
This gospel/jazz song is best known for the 1967 Nina Simone recording. It makes a wonderful choral showcase, testifying to the longing for freedom and justice for all people.
The theme of the river functioning as a source of life, reflection, rejuvenation, prayer, cleansing and freedom infuses this popular spiritual with layers of meaning. This arrangement is designed to
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