A minimum quantity of 5 is required on this title.
This spiritual arrangement is definitely rockin'! Solo opportunities sit above a rhythmic choral background leading into a harmonic chorus and key change. The optional baritone in the three-part mixed
Now with an SAB voicing, this great blues-swing style arrangement by Mary McDonald creatively combines two familiar spirituals: Amen! and Go, Tell It on the Mountain. There are many
Quoting Go, Tell It On the Mountain, the excitement surrounding Christ's birth is brought to life with this rockin' gospel-style Christmas original. Add a driving piano bass line and an optional
Your choir will shine on this traditionally styled original a cappella spiritual. It opens with unison male voices, adds a female countermelody, expands into fresh four-part harmony, and builds with
Here's a swinging, gospel-style celebration for Christmas! It begins modestly with several voices and grows to grand proportions exclaiming "Christ is born!" Whether you perform it with the slick
A minimum quantity of 6 is required on this title.
Driving rhythms, syncopation and a full spectrum of dynamics create an air of mystery and a sense of anticipation in this memorable contemporary original. Strong unison lines are complemented by full
This Jay Althouse spiritual arrangement really "rocks that cradle." Syncopated rhythms are natural and easy to learn, and a well-developed form leads us to unexpected, exuberant places. The gospel tag at
The Christmas spiritual Mary Had a Baby and a gospel version of Joyful, Joyful work perfectly together in this well crafted, singable arrangement. It opens slowly, then the gospel groove
This original a cappella Christmas spiritual has all the right elements for an impressive choral statement in December. Begin with a bass ostinato line, add a tenor counterline, then bring in the other
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Here's an exciting, rhythmic original Christmas spiritual that your choir will want to sing again and again. The story of the manger in Bethlehem is told through a percussive text motive of "no room" and
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