SAB and Three-Part Mixed Madrigals and Early Music

This classic French madrigal is a teaching staple and concert highlight. Perfect for teaching precision and independence of line, this polyphonic Renaissance piece can be performed a cappella or with the

This classic French chanson is skillfully arranged for three-part mixed choirs. Independent vocal lines, staccato and legato phrasing, and the a cappella setting provide wonderful learning opportunities for

Pierre Certon's dancing and lighthearted work is made more accessible for younger voices with this fine arrangement. The harmonic and textural elements remain true to the original, preserving the frivolity

This sprightly madrigal with its light and joyous feel has been adapted for SAB voices and given the option to be performed a cappella or with the supportive piano accompaniment. This edition also provides

Excerpted from "The SAB Choir Goes Renaissance," this madrigal offers carefully crafted choral parts that are accessible for young, developing singers while retaining the harmonic structure of the original.

Here's an original madrigal that's an excellent teaching piece for developing mixed or treble choirs. Independent vocal lines, terraced dynamics, and a joyful music-themed text make it an appealing concert

UIL Choral Sight Reading Level 3A, 2A, 1A, 3B Varsity/ 6A, 5A, 4A Non Varsity - 2017

A fresh take on a couple of standard choral repertoire selections! Two beloved madrigals, Fa Una Canzona and Sing We and Chant It!, are reimagined with piano, bass, and drums

This popular madrigal by Thomas Weelkes (1576-1623) is set in C major, a lower key than usual, truly making this edition an SAB-friendly version. Meant to be performed a cappella, a piano reduction is

The Nightingale is Thomas Weelkes' famous madrigal in an accessible SAB edition, with optional percussion (hand drum or tambourine) providing additional rhythmic security for developing ensembles

This setting of the well-known madrigal, with Italian text throughout, may be sung a cappella or accompanied. A valuable repertoire addition for middle school choirs, this piece provides opportunities to

Perform this buoyant Italian madrigal a cappella or accompanied by the optional piano, hand drum, and finger cymbals. The Baroque harmonies are easy to read and tune, and the three-part mixed/SAB voicing

This tuneful work from the Renaissance is uptempo and bright. Clarity of line and a firm harmonic base make the work easy to learn and fun to sing. Add the optional percussion instruments to give it even

This three-voice madrigal by Thomas Weelkes is full of fun and whimsy, with changes in meter, interweaving vocal lines and a dance-like feel, with optional hand drum. An excellent selection for madrigal

This tuneful chanson by the composer of Je le vous diray is perfectly set for developing singers with modest vocal ranges. The English text and buoyant fa-la-las are supported by a piano