SAB and Three-Part Mixed Sacred Concert Choral Music

Using the traditional Agnus Dei text, this expressive setting provides an opportunity to work on choral tone, rubato, and legato singing. A rich melody ebbs and flows over the colorful harmonic palette

Adapted from a Bach cantata, this joyful work will allow two or three part ensembles the opportunity to experience Baroque music and develop important performance techniques for tone, style and expression.

Franck's popular canon is a wonderful introduction to singing in Latin for middle school students. You can use the flowing piano accompaniment to support your singers through the learning process, then let

Rhythmic ostinatos, cluster harmonies, and soaring soprano lines are all present in this exciting a cappella concert work, possessing all the elements you'd expect from the composer of Veni, Veni

Two short contrasting movements may either stand on their own or combine into one longer setting. The Gloria setting is upbeat, rhythmic, and fanfare-like, while the Alleluia is quiet, introspective and set

Davison yet again applies his Baroque-like style in this rhythmically charged original that is perfect for developing voices. Altos and basses share a part as do the sopranos and optional tenors, making

Punctuated by handclaps and a rhythmic mixed meter setting, this dynamic original would make a fantastic opening number or festival selection. With a school-friendly Latin text, and a contrasting lyrical

These two short Renaissance gems have been carefully arranged for developing choirs: Inimici Autem and Alleluia, Laus et Gloria. Special care has been given to retain the beautiful chord