SATB Sacred Concert Choral Music

Set entirely in Hebrew (IPA pronunciation guide available), Dirshu Adonai is a sensitively composed meditation with beautiful layered harmonies that build to rich harmonic clusters. The echoing

William Blake's text is given an elegant a cappella setting with full harmonies that will appeal to more advanced choirs. 

While short, this fast-paced work with a unique meter is rich with modal inflections and modulations. It is well suited to intermediate high school and college choirs.

This powerful, flowing a cappella work in Latin opens with a beautiful unison chant and closes with a quiet "Amen." It is infused with interesting and varied harmonies, changing meter, and dramatic

"Grant us peace" is a phrase that is uttered in Latin at the end of many liturgical songs. The beautiful melody that carries these words evokes the peace it speaks of, making this an outstanding concert

This expressive setting combines two lines on the subject of peace from the Ordinary of the Latin Mass. From The Oxford Book of Choral Music by Black Composers.

From Karl Jenkins' The Peacemakers, this is a stunning a cappella work for divisi mixed voices and soprano solo. Both Latin and English texts are used and the composer has provided a part for piano

The traditional Latin text and original musical setting help to express our hope for peace and healing for our world, as well as to give space to honor and mourn all that has been lost. Part of the

This original a cappella piece by composer Mark Miller is based on the traditional text Dona Nobis Pacem. A solo singer opens with the melody, and as the choir enters the piece gradually builds,

In the SSAA voicing, this piece went viral when the Colorado All-State Treble Choir sang from the balconies in a hotel lobby! This a cappella arrangement of the folk hymn made popular in the movie "O

Rhythmic and syncopated, this driving and energetic portrayal of two angels clamoring over one another to see whose praises are the loudest explores themes of listening and accepting that we are more alike

Based on a Renaissance piece by Franco-Flemish composer Pierre de Manchicourt, this lovely composition maintains the flavor of the original work while adding modern rhythmic elements and tonalities.

Mixed scriptural texts in Latin, German, and Basque are unified into a single and universal musical language in this piece. Spacious vocal architecture, tasteful dissonance, mixed meter, and skilled voice

Biblical text taken from Matthew 27:46, when Jesus cries out to God in agony as he suffers through his passion on the cross, is put to music that combines Renaissance contrapuntal techniques and jazz

Composed and premiered (virtually) at the height of the COVID-19 pandemic, this stunning work begins with a set of slowly rising entreaties seeking guidance and assurance from an encompassing "source of the

This text, adapted here from the book of Ruth, is a tribute to love.  "Entreat me not to leave you, nor to turn back from following after you.  For where you go, I will go." This incredible

This a cappella setting of Matthew 18 in Spanish has attracted a lot of attention, and has already seen considerable festival activity. The English translation of the text is also shown: "Where two or three

Commissioned by the St. Olaf Festival in Trondheim, Norway, Even When He Is Silent masterfully expresses the sentiment of the text - hope in times of despair. Beautifully melodic, with rich

An exciting a cappella work with divisi, characterized by driving rhythms, dense harmonies, and multiple rhythmic ideas that weave in out of the mixed and changing meters with a different and uncommon

Starting with an opening fanfare, the piece immediately dives into a delightful 11/8 rhythm that both feels natural and is fun. Through rhythmic and key center changes with wonderful harmonic moments and