Your singers will love rehearsing and performing this rhythmic celebration based on traditional African music. Layered vocal lines, call and response, and the vitality of the congas, claves and djembe will
A minimum quantity of 10 is required on this title.
Close harmonies and a lyrical melody paint the sense of longing one feels after losing a loved one. An exploration of dissonance and resolve, this a cappella piece provides comfort in a time of
A minimum quantity of 5 is required on this title.
This lovely setting of Millay's touching poem requires a flexible tempo with plenty of gentle rubato to give the effect of a poem being spoken by an accomplished orator. Great teaching piece for working on
Robert Applebaum offers three versions each of the three settings from the much "beloved" Song of Songs, or Song of Solomon. Each title features printed matter containing a Hebrew transliteration guide, the
Inspired by the text of poet E. Pauline Johnson, Sarah Quartel has created an energetic and fun piece for a cappella voices. Melodic elements and counter melodies are shared between the voices in a
This work is an energetic reimagining of timeless text and tune from the 12th-century poet, composer, and philosopher Hildegard of Bingen. The marriage of the Caritas Abunda chant with a text taken
Written in response to the gun violence against children, this penultimate movement from "The Unarmed Child" is deeply moving and brings a sense of healing and poignancy in the musical setting.
"I am you are me...." This innovative original uses a clever text and pop-style music to create an environment of togetherness among members of the choir. Community - that's what it's all about. Each vocal
This energetic and rhythmic setting of the Sara Teasdale text is a true standout! With both a contemporary a cappella feel and artistic choral integrity, this is a piece that directors will love teaching,
A minimum quantity of 8 is required on this title.
This very cool original is a masterpiece of vocal layering, a "sound experience" for a cappella voices as bells. All voices sing together in the middle section before returning to vocalized bell effects.
A moving setting of this gripping and emotional text. In this setting, the composer captures the solemnity of the text throughout the thoughtful choral writing, comforting those who are left to grieve.
A cry for peace in a world torn by war, this poignant a cappella setting of an original text is filled with striking dynamic contrasts. "Sing, Be, Live, See... This dark stormy hour, the wind, it stirs. The
A minimum quantity of 12 is required on this title.
With modern dissonance and free tonality, this entire piece drives toward the last line of the Stacy Gnall poem: "big brother, I am catching up to you." One long, rhythmic race, this selection will be a
This stunning piece is based on a simple poem by Robert Richardson, inscribed on the headstone of the daughter of Samuel Clemens (Mark Twain), who died in her youth. Appropriate for any memorial
This arrangement of the American folk hymn is inspired by the shape note or Sacred Harp tradition, marked by the placing of the melody in the inner voice, the tendency toward open fifth sonorities, and an
This is a lively reimagining of the 19th-century American folk hymn that opens with a solo verse then proceeds with a soaring top melody supported by the rhythmic vocal accompaniment of the lower voices,
This unaccompanied piece contrasts a simple unison motif with quick ostinato in the lower voices. The homophonic refrain clearly declaims, "All forces have been steadily employed to complete
I Will Be With You sets a reflective text by the composer with a message of enduring solace. Lush harmonies with predominantly homophonic passagework coupled with flowing and cascading lines in