This work is based on Who has seen the wind?, #85 from the Christina Rossetti book Sing Song: A Book of Nursery Rhymes. Set for organ and cello accompaniment.
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From a three-part collection based on poetry by American pioneers, this third piece depicts a barn dance as vocalists circle 'round the instruments, stomp, clap, and perform with general
In this stunning work, sweeping melodic lines and at times unexpected harmonies envelop a text from Rainer Maria Rilke translated into English. Beautifully depicting the text, the lines allow for the rise
One of Brahms' best-known love songs is now available in this sensitively scored arrangement, which retains the harmonic richness of the original while making the work accessible to high school choirs. The
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Highly rhythmic in both accompaniment and voices with independent vocal lines, this work simply radiates energy with a message of hope and empowerment: "To the stars through difficulties, look upward, move
Although this is an original work, the words, which simulate a tribal language, give it a world-music feeling. In fact, the chant-like character of the piece almost makes you feel as though you are taking
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In Sara Teasdale's poem After Love, the opening line "There is no magic any more" establishes the theme of vanishing love. This setting of the poignant text, in the dark key of D-flat major,
This lovely setting of Millay's touching poem requires a flexible tempo with plenty of gentle rubato to give the effect of a poem being spoken by an accomplished orator. Great teaching piece for working on
A mythological song about two heavenly steeds of a god's sons, this selection is a calm, meditative rendering that is almost mystical. The Latvian modality permeates the song with an eloquent tension
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Sara Teasdale has inspired countless composers with her poetry, and this setting is no exception. A driving piano accompaniment underpins an expressive legato vocal line, while a horn obbligato brings an
A poem from Mexico's pre-Columbian era and translated into Spanish is presented here in a highly interesting and rhythmic original setting that retains its cultural feel. With percussion and opportunities
The second movement from a set of four contrasting memorial dances for unaccompanied mixed chorus. The text, from Isaiah 40, is set to a courtly gavotte in a minor modality. Suite Remembrance,
This a cappella setting of words of assurance from the English mystic Julian of Norwich is as relevant today as ever. Sustained, independent vocal lines create lovely harmonies, and the powerful lyrics make
From the Grammy-nominated work The Lost Birds, this simple melody inspired by children's songs is a setting of Sara Teasdale's poem "In the End." Showcasing her signature pairing of nihilism
Extracted from the five-movement work "A Vision Unfolding," this third movement stands alone as a strong, socially responsive statement of identity and unity. Optional solos and a lyrical violin part add to
The text of this piece welcomes the long-awaited arrival of the railway system and the benefits it will bring. This arrangement has a folk-inspired sound while making use of modern harmonies and
Written in memory of a loved one, this song comforts and lifts the spirit. With the idea of infinity and the cyclic nature of life, the harmony never really "stays put" - it never spends too much time in
A strong unifying text from Colleen Carhuff states "No notes are as connected as the souls that sing them, and no soul is happier than when surrounded by their friends. We are one!" A wonderful choice for
The friction between professed ideals and painful reality that Langston Hughes captured in his poem Let America Be America Again is also the foundation of this piece. Emma Lazarus' words, which are
For mixed, treble, and tenor-bass choirs, these transcriptions of this famous Schubert song offer the perfect material for teaching free, bel canto-style singing, German diction, and "arch and taper"