SATB Vocal Jazz Music

The beautiful simplicity of the timeless melody is further enhanced by lush chord changes and tasteful phrasing in this a cappella arrangement. This classic standard from the Kern and Hammerstein musical

"As long as I'm singing, the world is mighty fine." Here is an upbeat, driving song from the big band era that rings out the message of the importance of singing. Classic jazz harmonies for the singers and

Here's a lush, beautiful a cappella setting of the old standard tune, with accessible jazz harmonies and effortless voice leading. This is a standout ballad for your jazz or concert choir!

This vocal jazz standard tune arrangement comes with a whimsical vibe and fresh perspective while remaining true to the classic style. It's an uplifting concert setting that singers and audiences will

Most notably performed by Liza Minnelli, this Kander & Ebb classic returned to Broadway in the musical "New York, New York." A true blockbuster, this arrangement comprised of jazz sonorities, a

Develop intonation, blend, rhythm, and solo techniques with this vocal jazz setting of a song originally made famous by Petula Clark in 1965. Solo opportunities, including a written-out scat solo, and parts

A cappella groups will sound their best on this captivating ballad from "The Lion King" in a sonorous arrangement for vocal jazz or concert choirs! This will take your breath away!

Some days, you just gotta sing the blues - even in the chorus room! This tongue-in-cheek parody expresses the multitude of frustrations and anxieties of the modern choral student - and it's also a great

Pink Martini and the von Trapps have put a new spin on an old standard. The piano opening quotes Debussy's Clair de Lune before melting into a relaxing presentation of the familiar tune. Create a

Authentically based on the arranger's early singing experiences, this adaptation of the traditional spiritual brings together a hybrid of styles, including gospel, pop, and jazz. A hushed introduction

This breezy arrangement is based on the Brasil 66 cover of the Beatles classic. A unison first verse sets the easy Latin jazz feel before breaking into full harmonies. Brief scat sections contribute to the

Icelandic singer-songwriter Laufey is known for fusing jazz with modern pop sensibilities. Here's her breakthrough bossa nova arranged with tight harmonies, a unison scat feature, and several optional

No notes are sung in this original written for four-part voices! Instead, speech teaches rhythm, dynamics, style, choral energy, and can even introduce choreography or simple movement. The vocal parts can

This delightful jazz shuffle by the musical theatre songwriting team of Kerrigan & Lowdermilk sounds like it could have come straight out of the Great American Songbook. Short and sweet, the whimsical

This delightful jazz shuffle by the musical theatre songwriting team of Kerrigan & Lowdermilk sounds like it could have come straight out of the Great American Songbook. Short and sweet, the whimsical

You won't be able to stop grinning with this duo of Put on a Happy Face from "Bye Bye Birdie" and You’re Never Fully Dressed Without a Smile from "Annie." Both songs were written by

This Duke Ellington number was featured in "Sophisticated Ladies," the musical revue celebrating the life and music of the great bandleader. A slinky bass sets up the intro just before this swingin' setting

This swingin' standard has been recorded by artists from Art Garfunkel to Michael Buble. The big-band-style arrangement includes simple jazz harmonies, great instrumentation, and notated scat singing

Written for the soundtrack to the Beatles movie "A Hard Day's Night," this upbeat song is as fresh today as it was in 1964. This arrangement uses well-written choral harmonies and a bossa nova feel to