This collection of a cappella jazz standards delivers plenty of musical flair at a value! Perform these pop and jazz classics with your concert choir, or use as a curriculum with your vocal jazz group. And
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Deke Sharon and J.D. Frizzell have provided a wide array of warm-ups specifically designed for pop and jazz choirs that will also work well for contemporary a cappella groups. There are over 39 creative
This gorgeous jazz standard has been recorded by some of the greatest singers of our time and before - from 1918 to the present. Presented in a slow swing, an almost New Orleans-style feel with smooth jazz
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Hammerstein and Kern's popular hit is presented with a light and jazzy Latin feel, complete with optional instrumental parts or rhythmic accompaniment track. Smooth vocal lines sit above the exciting
The beautiful simplicity of the timeless melody is further enhanced by lush chord changes and tasteful phrasing in this a cappella arrangement. This classic standard from the Kern and Hammerstein musical
This Lerner and Loewe hit from "Brigadoon" works beautifully for a cappella voices in this swingin' setting by Darmon Meader of New York Voices fame. Opening with the verse at rubato tempo, it soon takes
Originally written for the 1932 musical "Flying Colors," this jazz standard has been recorded by a "who's who" of jazz icons, including Dizzy Gillespie, Miles Davis, Julie London, and Ella Fitzgerald. This
This timeless Irving Berlin hit is given new life in this nostalgic, heartfelt arrangement for a cappella mixed voices. With sentimental unisons, rich, jazz-influenced divisi harmonies, and a featured
The Latin jazz sound, complete with a killer horn line and lots of percussion, is faithfully captured in this arrangement. Show choirs will have fun with the jazz-flavored harmonies and bossa nova feel,
"As long as I'm singing, the world is mighty fine." Here is an upbeat, driving song from the big band era that rings out the message of the importance of singing. Classic jazz harmonies for the singers and
This arrangement of the classic 1940s song, made famous by rhythm and blues singer Etta James, provides an opportunity to feature a strong soloist. Jazz-flavored harmonies and a solid instrumental track add