Originally written for the 1932 musical "Flying Colors," this jazz standard has been recorded by a "who's who" of jazz icons, including Dizzy Gillespie, Miles Davis, Julie London, and Ella Fitzgerald. This
Hot horns and vocals make this Latin standard into an incredible feature for jazz and show choirs. With opportunities for solos, and great instrumentals, this chart will be a fun change of pace for your
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Irving Berlin's much-recorded song from 1926 takes a sultry and sophisticated turn with this dynamic jazzy arrangement that includes optional rhythm, flugelhorn and flute. "Blue days, all of them gone.
This combination of Birth of the Blues and Blues in the Night is filled with all the jazzy nuances you expect in such golden oldies. Use the recorded accompaniment track or a live combo to
Get your boogie down with this 1980s classic by Al Jarreau - it has a funky feel that still grooves! Great solo opportunities and vocal riffs make it a super feature for pop, jazz and show choirs!
Smooth and delicious are the words to describe this a cappella jazz setting of the Cole Porter standard. A delicate opening "oo" section gives way to a unison statement of the melody before melting into
Set in a fast swing above a walking bass, this Gershwin standard really cooks! Featuring a wailing group scat chorus, experienced vocal jazz groups will wow the crowd in this sensational chart!
From Benny Goodman to Bette Midler and so many other artists, this classic song is forever popular. Beginning with a heartfelt solo, the arrangement goes into a relaxed gospel style, setting the melody and
Pharrell's mega-hit gets a hot vocal jazz treatment in this accompanied setting. It has great vocals, horns and solo opportunities to please every crowd!
Michele Weir has given this 1967 pop hit by Dionne Warwick a fresh treatment for pop and jazz groups. With solo spots, cascading vocal phrases, and a contemporary keyboard part, this is creative jazz
Heartfelt lyrics, rich harmonies and a smoldering slow swing tempo make this a fine choice for a vocal jazz ballad. Tastefully arranged, this piece is great for building phrasing and blend!
With sensitive lyrics by Alan and Marilyn Bergman, this ballad, popularized by Rosemary Clooney, lends itself well to beginning vocal jazz groups. The melody moves seamlessly from the choir to a featured
This is a classic a cappella Kirby Shaw setting of a Gershwin ballad. Love Is Here to Stay appeared, perhaps most memorably, in the 1951 MGM picture "An American in Paris," for which it served as
This Gershwin classic is set in an easy swing filled to the brim with nonchalant charm and optimism. A great selection for jazz, pop and concert choirs in a program of standards or a love-themed concert
Many great jazz singers and instrumentalists have performed and recorded this old standard, including Frank Sinatra. It lends itself beautifully to a cappella choral singing in this textured arrangement.
For over seven decades, this song, written during World War II, has held an emotional connection with music lovers for its nostalgic longing for happier times. This a cappella setting offers opportunities
This show tune has appealed to jazz musicians ever since it was first heard in "Finian's Rainbow," and it still swings! "I look at you and suddenly, something in your eyes I see, soon begins bewitching me.
Bette Midler sang this to Johnny Carson on his last show. With a mature lyric, One for My Baby targets a more mature ensemble, but the Johnny Mercer/Harold Arlen standard is a classic for the ages!
This soft samba setting of the famous love theme from The Godfather offers plenty of options to showcase your choir's singing skills: blend, style, rhythm, and an ensemble scat interlude. A great
Four fantastic hits combine in this four-and-a-half minute medley of fun! Perfectly for choreography, it even includes a kazoo interlude. You couldn't ask for more! Included are: I Got Rhythm; How High
This Freddie Green standard was made famous in its instrumental version, Corner Pocket, by the Count Basie Orchestra, and later as a vocal by The Manhattan Transfer. Paris Rutherford's challenging
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