Bette Midler sang this to Johnny Carson on his last show. With a mature lyric, One for My Baby targets a more mature ensemble, but the Johnny Mercer/Harold Arlen standard is a classic for the ages!...
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The word "samba" comes from a Brazilian rhythm and dance, and the word "lele" is an expression of excitement. Vocal percussion, exciting dynamics, snappy rhythmic figures and a fun Portuguese text combine...
This beautiful blues ballad appeared on the Billboard Hot 100 chart in 1963, a bit surprising since it was written in 1945! Tight choral harmony and a subtle accompaniment make this sad tale come alive....
Here is one of the most famous tunes from the big band era in a contemporary vocal jazz/show choir setting. This is an extraordinary feature, especially when you use the hot horns-and-rhythm backup on the...
Originally written as an up-tempo number for the musical Oh, Kay!, Ira convinced George that it was better as a ballad. The lush, challenging harmonies in this arrangement prove that Ira was right!...
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This soft samba setting of the famous love theme from The Godfather offers plenty of options to showcase your choir's singing skills: blend, style, rhythm, and an ensemble scat interlude. A great...
First heard in 1925, this jazz standard still swings. It's a blast for serious vocal jazz groups, well worth the effort!
Four fantastic hits combine in this four-and-a-half minute medley of fun! Perfectly for choreography, it even includes a kazoo interlude. You couldn't ask for more! Included are: I Got Rhythm; How High...
This tune was a big hit for Glenn Miller, and recently for The Manhattan Transfer. Kirby Shaw's arrangement is not difficult, with just the right amount of written-out scat singing. There's a chorus of,...
This Freddie Green standard was made famous in its instrumental version, Corner Pocket, by the Count Basie Orchestra, and later as a vocal by The Manhattan Transfer. Paris Rutherford's challenging...
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