"Once upon a time a boy with moonlight in his eyes..." This rich a cappella setting of the love ballad from the 1962 show "All American" is equally appropriate for jazz, show, and concert choirs. "...but
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Simple and elegant, this a cappella choral setting of Tony and Maria's famous duet from "West Side Story" captures the beauty and depth of the original, but with a gentle jazz feeling that will bring warmth
Bette Midler sang this to Johnny Carson on his last show. With a mature lyric, One for My Baby targets a more mature ensemble, but the Johnny Mercer/Harold Arlen standard is a classic for the ages!
The word "samba" comes from a Brazilian rhythm and dance, and the word "lele" is an expression of excitement. Vocal percussion, exciting dynamics, snappy rhythmic figures and a fun Portuguese text combine
This beautiful blues ballad appeared on the Billboard Hot 100 chart in 1963, a bit surprising since it was written in 1945! Tight choral harmony and a subtle accompaniment make this sad tale come alive.
Here is one of the most famous tunes from the big band era in a contemporary vocal jazz/show choir setting. This is an extraordinary feature, especially when you use the hot horns-and-rhythm backup on the
Originally written as an up-tempo number for the musical Oh, Kay!, Ira convinced George that it was better as a ballad. The lush, challenging harmonies in this arrangement prove that Ira was right!
This soft samba setting of the famous love theme from The Godfather offers plenty of options to showcase your choir's singing skills: blend, style, rhythm, and an ensemble scat interlude. A great
First heard in 1925, this jazz standard still swings. It's a blast for serious vocal jazz groups, well worth the effort!
Four fantastic hits combine in this four-and-a-half minute medley of fun! Perfectly for choreography, it even includes a kazoo interlude. You couldn't ask for more! Included are: I Got Rhythm; How High
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