Concert Marches for Concert Band

Sousa himself would have approved this arrangement! This classic march is carefully written so that none of the intent of the original is lost. The keys are playable, the ranges are brought down and

This popular march can now be performed successfully by bands with limited instrumentation in this flexibly scored edition. This will sound full with just percussion and five

In 1962, Karl King composed his last great march and dedicated it to his longtime friend Meredith Willson of The Music Man fame. All the stylish march components he's known for are evident throughout this

This traditional military-style march contains important opportunities for each section. With a percussion introduction and interlude, trumpet fanfare, low brass melody, and woodwind lead, all sections are

This gem was written during Karl King's days with the circus, and it really shows! After the brass fanfare and two magical strains, the trio is heavily influenced by ragtime which was the

The huge treasure trove of edited King marches continues to grow by leaps and bounds, so you can be assured that this will be another crowd pleaser for audiences of all ages. Musicians love to revisit the

A bright and delightful march that all are sure to enjoy. The tuneful and memorable melodies are just the kind that will have audiences wanting to whistle along. Performed at a steady tempo throughout, the

With the style of a Spanish march and the form of a traditional march, this unique addition to the march repertoire will be enjoyed by students and audiences. This is also an excellent way to feature your

One of Sousa's most famous marches, first published in 1893 and still one of his most widely recognized melodies. It was written as a musical tribute to the famous Liberty Bell of the American Revolution.

Concert march programming just doesn't get any better than this! This well-written edition provides a wonderful opportunity for audiences and musicians to experience the engaging melodies and trademark

This well-known march is presented in a carefully written edition that includes the unique qualities of the original. The dynamic contrasts are the same that Sousa himself used when he

The final movement from the Holst "Suite in E-flat" has been carefully arranged to make this timeless classic available to small or limited-instrumentation ensembles. Optional piano and percussion parts are

Taken from Movement 1 of Gustav Holst's Second Suite, this delightful work has been written to be accessible by younger bands. The familiar themes adapted from the original