Now solo instrumentalists can jam along with a dozen of today's hottest hits! These books include CDs with accompaniment tracks so you can sound like a pro while playing. Titles include: The A Team;
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The perfect collection for a festive performance. Wonderful selections including the Nutcracker, Pat-A-Pan, Silent Night and more! Arranged for solo instrument with piano! Includes solo part and
Sparkling arrangements of holiday favorites arranged in progressive order featuring Jingle Bells, Joy to the World, O Holy Night, The First Noel and more!
Includes A la
A wonderful collection of sacred music for the soloist! Includes a solo insert and piano score. Score is spiral-bound to lie flat, and all music is printed on quality paper for durability and longevity. The
A terrific collection of romantic selections perfect for any wedding! Featuring Be Thou My Vision, Flower Duet, Wedding March, Clair de Lune and many more!
Includes: Air
Eighteen newly composed or arranged solos with piano accompaniment written at Grades 2 to 2.5. These exciting solos will add something new, fresh, and different to your solo repertoire. Perfect for use at a
For students, teachers, avid players, and young professionals, this organized method of practicing a scale system includes a complete set of scales, arpeggios, double stops, and chromatic scales in three
Bach's famous “Air” has been skillfully arranged for solo instrument with piano accompaniment.
Forty of the most memorable songs composed by the incomparable Broadway composer Andrew Lloyd Webber are gathered in this value-packed instrumental solo collection. Songs include: All I Ask of You; As
The First Violin Sonata by Gabriel Faure (1845-1924) was an extraordinary composition which opened the way for the oeuvre of one of the most important French composers in the late 19th century and early
The well-known organ piece by Paul Manz has been set for solo instrument and organ by Mark Meuser. Poignant and lyrical. Parts for Treble Instrument in C and B-flat, Viola, and Bass Instrument
Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending