Sarasate's concert career began at age 17 after he was awarded the coveted Premier Prix from the Paris Conservatoire for both violin and composition. After his London debut, playwright and music critic
A lovely transcription for violin and piano. Written for advanced players, this arrangement features the violin playing the melody with the piano providing a full but simple backdrop. The second verse
Contents: Jascha Heifetz: Three Cadenzas to the Beethoven Concerto for Violin and Orchestra in D Major op.61. Critical Urtext Edition Edited by Endre Granat (after Auer and Joachim); Ludwig van Beethoven:
Inspired by Chinese tradition, this concerto-like dance suite includes 1. Lion Dance 2. Yangon and 3. Muqam. Each movement draws from melodies and rhythms characteristic of
Edited by Endre Granat. Fingerings and bowings by Jascha Heifetz. For violin & orchestra. Urtext Edition. Preface by the editor. Facsimile plates. Heifetz premiered Korngold's Concerto in 1947. This
The awardee of two Guggenheim fellowships, Julia Perry studied composition with Luigi Dallapiccola and Nadia Boulanger, and conducted her works on a tour throughout Europe with the Vienna Philharmonic and
For violin & piano reduction. Corrected, revised edition. This new edition incorporates newly discovered details from Barber's personal conducting copy. Includes an extensive historical preface. Score
This edition contains brilliant examples of blending elements of folklore with classical composition technique by two Czech masters. The volume includes Bedrich Smetana's From My Homeland and Mazurek by
Georges Bizet's opera "Carmen had its first performance in Paris in 1875. In the audience was 17-year-old Hungarian violin virtuoso and budding composer Jeno Hubay. After the performance, Hubay started
A lyrical violin solo excerpted from the composer's violin concerto.
Violinist Heinrich Wilhelm Ernst, a friend of Mendelssohn, was one of the great virtuosi of his age, standing alongside Paganini, Vieuxtemps, and Wieniawski. Like them, he left behind a series of
"There is not a violinist alive in this century who does not have the sound of Kreisler's works in his ear, and indeed, in his heart." Isaac Stern said those powerful words when shown these
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This collection presents 31 pieces by fifteen composers for the intermediate- to advanced-level player. Includes piano accompaniment part. Includes: JEAN-BAPTISTE ACCOLAY: Concerto No. 1 in A minor JOHANN
Edited by Endre Granat. For violin & piano. Critical Urtext Edition, based on the composer's manuscript, the first
Currently at the pinnacle of her remarkable career, three-time Grammy award winning concert violinist Hilary Hahn has assembled her collection of favorite encores, all commissioned by Ms. Hahn. Engaging 26
Exactly 300 years after Bach completed his unique cosmos of the Sei Solo a Violino senza Basso accompagnato, Kolja Lessing is presenting a collection, rich in discovery, of also 6 solo violin works inspired
Paganini's Inno patriottico con variazioni for solo violin M.S. 81 is a composition dating back to the period between 1796 and 1800. There is not very much background material regarding the piece: the only
Written following the composer's 1898 tour of Italy, this standard in the solo violin repertoire is one of Sarasate's most famous and often-played works. This piece is presented in two parts
Henri Wieniawski, the Polish-born violin virtuoso, chamber musician, composer, and pedagogue was admitted into Lambert Massart's violin class at the Paris Conservatoire at age eight. In 1850, he received
In her powerful Foreword to the music, violinist Kelly Hall-Tompkins has written: "There are great works which give voice to important moments for generations, and this is one of them. The tragedy of Elijah