This work for violin and piano is a play on the words "suite" and "bittersweet." Each of the four movements is based on a Yiddish folk song, translated as On the Road; My Resting Place; Black
Edited by Anna Pulkkis. For violin & piano. Urtext Edition based on Series IV, Vol. 6 of the Jean Sibelius Works complete edition. Introduction and Ger. and Eng. Score, 17 p. and part.
Exactly 300 years after Bach completed his unique cosmos of the Sei Solo a Violino senza Basso accompagnato, Kolja Lessing is presenting a collection, rich in discovery, of also 6 solo violin works inspired
Nocturne (Il Campanello di Notte) was designed for advanced students and professionals alike. The performer should drive the composition relentlessly forward in an agitated manner, all the while
Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal flute in
This opening movement of Bach's Partita for Solo Violin in E Major, written in 1720, inspired Bach to create the Sinfonia movement for his 1731 Cantata. Bach used the organ to play the
Edited by Wolfgang Birtel. For violin & piano. A collection of 25 pieces by Romantic composers. Preface in Ger., Fr. and Eng. Score, 111 p. and part.
A quality revision faithfully reconstructed, according to the autograph manuscript, with suggestions for interpretation and fingering by the eminent violinist and teacher Rodolfo Lipizer. Preface and
Completed in 1888, this sonata was the culmination of several years of work and Brahms' final contribution to the genre. It is his only one in a minor key and stands in stark contrast to its two
Brahms composed a whole series of chamber music works, including his Second Violin Sonata in A Major, during a summer visit to Thun in Switzerland in 1886. This wonderfully lyrical work is one of his most
Brahms early on engaged with the violin sonata form. As early as 1853 he wrote a sonata in A minor, which - like so many other youthful works of this self-critical composer - no longer survives. Thus the